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Schertler: "David" 80w Acoustic Amp, Switzerland. Fishman: Fishman Acoustic Performer Pro / Monitor Pro (Discontinued, produced from 199? to 2003?) testing by Tom Mulhern PDF. Carlos Juan Acoustic Pickups & Amps, handmade in Germany. Roland AC-60 Acoustic Chorus.
The Jazz Chorus is one of the most famous and successful combo amplifiers from its period and its earliest users included Albert King, Andy Summers (), Chuck Hammer (), Larry Coryell, Robert Smith (of The Cure, although he used the rarer 160 Watt JC-160 with 4 x 10" speakers), Billy Duffy (The Cult, Theatre of Hate), Roger Hodgson of Supertramp, Joe Strummer, John Sebastian of The Lovin ...
The Roland Juno-60 is an analog synthesizer manufactured by the Roland Corporation between 1982 and 1984. It followed the Juno-6 , an almost identical synthesizer released months earlier. The Juno synthesizers introduced Roland's digitally controlled oscillators , allowing for greatly improved tuning stability over its competitors.
The company was also manufacturing effects pedals, introducing the RE-201 Space Echo in 1974, and expanding into guitar amplifiers the following year with the JC-60 and JC-120 Jazz Chorus, whose chorus circuit would become the first Boss Corporation product, the CE-1 Chorus Ensemble, the following year.
1.13 CUBE-60 BASS. 1.14 CUBE-80. 1.15 CUBE ... Roland CUBE is a series of guitar and bass amplifiers manufactured and distributed by ... delay/reverb and chorus ...
The first proper Boss foot pedal effect, the CE-1 Chorus Ensemble, was released June 1976, which was a stand-alone unit of the chorus/vibrato circuit found in the Roland JC-120 amplifier. [5] It was a fairly large, AC-powered unit.
At Roland, he continued his work on the development of drum machines. Roland's first drum machine was the Roland TR-77 , released in 1972. [ 14 ] After Kakehashi realized microprocessors could be used to program drum machines, [ 15 ] Roland launched the CR-78 , the first microprocessor -driven programmable drum machine, in 1978. [ 16 ]
Roland GS, or just GS, sometimes expanded as General Standard [1] [2] or General Sound, [1] is a MIDI specification. It requires that all GS-compatible equipment must meet a certain set of features and it documents interpretations of some MIDI commands and bytes sequences, thus defining instrument tones, controllers for sound effects, etc.
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