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As the chords of a 12-bar blues follow a form, so does the melodic line. The melodic line might just be the melody of the piece or it might also include lyrics. The melody and lyrics frequently follow an AA'B form, meaning one phrase is played then repeated (perhaps with a slight alteration), then something new is played. [14]
"That's All Right"or "That's Alright" [1] is a blues song adapted by Chicago blues singer and guitarist Jimmy Rogers. He recorded it in 1950 with Little Walter on harmonica. . Although based on earlier blues songs, music writer John Collis calls Rogers' rendition "one of the most tuneful and instantly memorable of all variations on the basic blues format
The song, using the arrangement from "Blue Guitar", is a moderately-slow tempo twelve-bar blues, notated in 12/8 time in the key of D. [9] For the melody line, Muddy Waters doubled Hooker's prominent slide-guitar line, giving the song its distinctive "hook".
Whether it was intentional is unknown; some early blues artists occasionally freely varied the strict 12 bar blues form. "Juke" contains eight choruses. [2] The harmonica playing in "Juke" is deep-toned and features long saxophone-like phrases. "Juke" is a dynamic song, building and releasing in intensity several times.
The song was recorded on January 11, 1963, by Williamson on vocal and harmonica, backed by Lafayette Leake or Billy Emerson on organ, Matt Murphy on guitar, Milton Rector on bass, and Al Duncan on drums. [3] "Bye Bye Bird" is included on several Sonny Boy Williamson compilation albums, such as More Real Folk Blues (1967) and His Best (1997). [4]
"Hoochie Coochie Man" follows a sixteen-bar blues progression, which is an expansion of the well-known twelve-bar blues pattern. [35] The first four bars are doubled in length so the harmony remains on the tonic for eight bars or one-half of the sixteen bar progression. [38]
In 1940, he was the first to record the blues classic "Key to the Highway" (featuring Broonzy on guitar), [4] utilizing the now-standard melody and eight-bar blues arrangement. (The song had first been recorded a few months earlier by Charlie Segar, with a different melody and a 12-bar blues arrangement.)
Blues harp or cross harp denotes a playing technique that originated in the blues music culture, and refers to the diatonic harmonica itself, since this is the kind that is most commonly used to play blues. The traditional harmonica for blues playing was the Hohner Marine Band, which was affordable and easily obtainable in various keys even in ...