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Madonna Enthroned, also known as the Ognissanti Madonna or Madonna Ognissanti, is a painting in tempera on wood panel by the Italian late medieval artist Giotto di Bondone, now in the Uffizi Gallery of Florence, Italy.
Paintings by Giotto di Bondone (1266−1337) ... Ognissanti Madonna; P. Padua Crucifix; S. Saint Francis Receiving the Stigmata (Giotto) Saint Stephen (Giotto ...
Giotto di Bondone (Italian: [ˈdʒɔtto di bonˈdoːne]; c. 1267 [a] – January 8, 1337), [2] [3] known mononymously as Giotto [b], was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic and Proto-Renaissance period. [7]
Filippo Lippi, Adoration in the Forest, by 1459 Cimabue, Madonna of Santa Trinita, c. 1285, once in the church of Santa Trinita, now in the Uffizi Gallery. Florentine painting or the Florentine school refers to artists in, from, or influenced by the naturalistic style developed in Florence in the 14th century, largely through the efforts of Giotto di Bondone, and in the 15th century the ...
Smartify artwork ID: giotto-ognissanti-madonna Zeri image ID : 2098 Uffizi artwork ID : virgin-and-child-enthroned-surrounded-by-angels-and-saints-ognissanti-maesta
A significant amount of Madonna and Child paintings by Andreas Ritzos survived. Many painters chose the subject matter but Duccio, Cimabue, Fra Angelico, and Giotto di Bondone employed a similar mannerism exemplifying the maniera greca. Most artists of the Cretan School began to employ some attributes of the Venetian school.
Previously attributed to the school of Giotto, Roberto Longhi attributed it to the master himself in 1948. [3] [1] It probably formed a diptych with the Madonna Enthroned between the Virtues (Wildenstein Collection, New York), attributed to the Master of the Sails []. [4]
Madonna Enthroned between St. Catherine and St. Elizabeth of Hungary (Slovak: Madona so sv. Katarínou a sv. Alžbetou) is an icon, a central part of the side altar of the Church of the Nativity of the Virgin Mary in Jánovciach. The author of the original triptych, Master Martin, signed his name on the back of the icon, from 1497. [1]