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Giotto di Bondone (Italian: [ˈdʒɔtto di bonˈdoːne]; c. 1267 [a] – January 8, 1337), [2] [3] known mononymously as Giotto [b], was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic and Proto-Renaissance period. [7]
The first studies of the Berlin Crucifixion by Wilhelm von Bode attributed the work to Giotto.Following critics, like Roberto Longhi in 1948, have doubted the attribution. . Others like William Suida, Pietro Toesca, and Richard Offner theorized a "Master of the Strasbourg Crucifixion", placing the Berlin Crucifixion in relation with other similar small-format wo
Giotto di Bordone — known mononymously as Giotto, was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic/Proto-Renaissance period. He worked during the Gothic/Proto-Renaissance period.
The works are considered a masterpiece. Both the monastery and the chapel now form part of the Musei Civici di Padova. [2] Giotto is described as a Proto-Renaissance artist, preceding and paving the way for the early Florentine Renaissance painters, breaking the artistic mold of the Byzantine period by introducing naturalism and depth into his ...
Giotto di Bondone, Legend of St Joachim, Meeting at the Golden Gate, 1305, in the Scrovegni Chapel, is an early Western depiction of the scene.. Joachim and Anne Meeting at the Golden Gate is a narrative of the parents of the Virgin Mary, Joachim and Anne meeting at the Golden Gate of Jerusalem, upon learning that she will bear a child.
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Even today critics are uncertain about the work's attribution, although it has unambiguously been attributed to Giotto on major occasions such as the 2013 Giotto exhibition in the Louvre. [5] In any case, the work is dated to the late phase of Giotto's career, as demonstrated by the voluminous drapery, as found in both the Cappella Peruzzi [ it ...
The Trecento is considered to be the beginning of the Italian Renaissance or at least the Proto-Renaissance in art history. Painters of the Trecento included Giotto di Bondone, as well as painters of the Sienese School, which became the most important in Italy during the century, including Duccio di Buoninsegna, Simone Martini, Lippo Memmi, Ambrogio Lorenzetti and his brother Pietro.