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"Karaoke Queen" is a song by Welsh rock group Catatonia taken from the album Equally Cursed and Blessed and inspired by the talent-TV show Stars in Their Eyes. "Karaoke Queen" was originally intended as the follow-up single to "Dead from the Waist Down", until the record label insisted that "Londinium" be released as the second single from the ...
"Cry to Me" is a song written by Bert Berns (listed as "Bert Russell") and first recorded by American soul singer Solomon Burke in 1961. Released in 1962, it was Burke's second single to appear in both Billboard magazine's Hot R&B Sides and Hot 100 singles charts. On March 20, 1962, Burke performed "Cry to Me" on American Bandstand. [1]
Xbox Live online in-game content downloads allow users to 'download' new tracks for the Xbox releases of Karaoke Revolution and Karaoke Revolution Party. [18] These songs are included on the Karaoke Revolution Party disk in a hidden format, and are unlocked through Xbox Live. It is also possible to manually unlock tracks on Development Xboxes ...
The band had intended to release "Karaoke Queen" as the follow-up, but were overruled by the record label and they were forced to release "Londinium" on 12 July 1999 instead. [21] This angered lead singer Cerys Matthews , as did the expense of the video for the single which had cost more than Equally Cursed and Blessed took to make. [ 22 ] "
The song was released on 12 July 1999 and was supported by a string of appearances on television shows such as CD:UK, The Pepsi Chart Show and Top of the Pops. [ 3 ] [ 4 ] However, it did not pick up a great deal of airplay amid fears that it contained inflammatory lyrics about London, [ 2 ] and the line "sushi bars, wet fish, it just sucks the ...
The version of the song on Highway 61 Revisited is an acoustic/electric blues song, one of three blues songs on the album (the others being "From a Buick 6" and "Just Like Tom Thumb's Blues"). [2] [3] It is made up of lines taken from older blues songs combined with Dylan's own lyrics. [2]
"Tie Your Mother Down" is a song by the British rock band Queen, written by lead guitarist Brian May. It is the opening track and the second single from their 1976 album A Day at the Races . On its original release as a single in 1977 the song peaked at 31 in the UK Singles Chart.
In 1975, Wonder brought the demo recording of the song to Crystal Sound studio in Hollywood, California, where he further developed its lyrics and chords. [2] Unlike the demo recording, Wonder decided to play the song in the key of E-flat, which he felt better suited his voice and overall "felt better, spiritually". [2]