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Ian Richard McDonald [1] (25 June 1946 – 9 February 2022) was an English musician, composer and multi-instrumentalist, best known as a founding member of the progressive rock band King Crimson in 1968, as well as the hard rock band Foreigner in 1976.
Pages in category "Song recordings produced by Ian McDonald (musician)" The following 13 pages are in this category, out of 13 total. This list may not reflect recent changes .
Ian McDonald (born 18 April 1933) is a Caribbean-born poet and writer who describes himself as "Antiguan by ancestry, Trinidadian by birth, Guyanese by adoption, and West Indian by conviction." His ancestry on his father's side is Antiguan and Kittitian , and Trinidadian on his mother's side.
McDonald and Giles is an album released by British musicians Ian McDonald and Michael Giles in 1970. The album was first issued on Island Records (ILPS 9126) in the UK and Cotillion Records (SD 9042), a division of Atlantic Records, in the US. (The album was released on Atlantic itself in several countries.)
Pages in category "Songs written by Ian McDonald (musician)" The following 10 pages are in this category, out of 10 total. This list may not reflect recent changes.
Drivers Eyes is the first and only solo album by former King Crimson and Foreigner member Ian McDonald. It features contributions from Peter Frampton , Ian Lloyd , Gary Brooker , Steve Hackett and Hugh McCracken and King Crimson alumni, Michael Giles and John Wetton .
Locked hands style is a technique of chord voicing for the piano. Popularized by the jazz pianist George Shearing, it is a way to implement the "block chord" method of harmony on a keyboard instrument. The locked hands technique requires the pianist to play the melody using both hands in unison.
For example, the interval between C and E (four half steps) is a major third, which can imply a C major chord, made up of the notes C, E and G. [3] In a triadic context chords with omitted thirds may be considered "indeterminate" triads. [4] Play ⓘ Melodic and harmonic intervals, respectively above and below. Play ⓘ
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