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  2. Jankó keyboard - Wikipedia

    en.wikipedia.org/wiki/Jankó_keyboard

    A Jankó keyboard. The Jankó keyboard is a musical keyboard layout for a piano designed by Paul von Jankó, a Hungarian pianist and engineer, in 1882.It was designed to overcome two limitations on the traditional piano keyboard: the large-scale geometry of the keys (stretching beyond a ninth, or even an octave, can be difficult or impossible for pianists with small hands), and the fact that ...

  3. List of musical scales and modes - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_scales_and...

    Download QR code; Print/export ... 15-tet scale on C. Play ... A free Android app with scales & building chords for the scales;

  4. Chord-scale system - Wikipedia

    en.wikipedia.org/wiki/Chord-scale_system

    The chord-scale system may be compared with other common methods of improvisation, first, the older traditional chord tone/chord arpeggio method, and where one scale on one root note is used throughout all chords in a progression (for example the blues scale on A for all chords of the blues progression: A 7 E 7 D 7).

  5. Scale (music) - Wikipedia

    en.wikipedia.org/wiki/Scale_(music)

    "The number of the notes that make up a scale as well as the quality of the intervals between successive notes of the scale help to give the music of a culture area its peculiar sound quality." [6] "The pitch distances or intervals among the notes of a scale tell us more about the sound of the music than does the mere number of tones." [7]

  6. Chromatic scale - Wikipedia

    en.wikipedia.org/wiki/Chromatic_scale

    Chromatic scale drawn as a circle The diatonic scale notes (above) and the non-scale chromatic notes (below) [2] The twelve notes of the octave—all the black and white keys in one octave on the piano—form the chromatic scale. The tones of the chromatic scale (unlike those of the major or minor scale) are all the same distance apart, one ...

  7. Major scale - Wikipedia

    en.wikipedia.org/wiki/Major_scale

    The sound frequency doubles for corresponding notes from one octave to the next. The ratio is 3/2 = 1.5 for a perfect fifth, for example from C to G on a major scale, and 5/4 = 1.25 for a major third, for example from C to E. A major scale may be seen as two identical tetrachords separated by a whole tone.

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