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  2. Restoration comedy - Wikipedia

    en.wikipedia.org/wiki/Restoration_Comedy

    Fashions in drama would change almost week by week rather than season by season, as each company responded to the offerings of the other, and new plays were urgently sought. In this hectic climate the new genres of heroic drama, pathetic drama and Restoration comedy were born and flourished. [6]

  3. Restoration literature - Wikipedia

    en.wikipedia.org/wiki/Restoration_literature

    Genre in Restoration drama is peculiar. Authors labelled their works according to the old tags, "comedy" and "drama" and, especially, "history", but these plays defied the old categories. From 1660 onwards, new dramatic genres arose, mutated, and intermixed very rapidly.

  4. Patent theatre - Wikipedia

    en.wikipedia.org/wiki/Patent_theatre

    The patent theatres were the theatres that were licensed to perform "spoken drama" after the Restoration of Charles II as King of England, Scotland and Ireland in 1660. Other theatres were prohibited from performing such "serious" drama, but were permitted to show comedy, pantomime or melodrama. Drama was also interspersed with singing or ...

  5. English drama - Wikipedia

    en.wikipedia.org/wiki/English_drama

    Wide and socially mixed audiences were attracted by topical writing and by the introduction of the first professional actresses (in Shakespeare's time, all female roles had been played by boys). New genres of the Restoration were heroic drama, pathetic drama, and Restoration comedy.

  6. Heroic drama - Wikipedia

    en.wikipedia.org/wiki/Heroic_drama

    Heroic drama is a type of play popular during the Restoration era in England, distinguished by both its verse structure and its subject matter. [ 1 ] [ 2 ] The subgenre of heroic drama evolved through several works of the middle to later 1660s; John Dryden 's The Indian Emperour ( 1665 ) and Roger Boyle's The Black Prince ( 1667 ) were key ...

  7. Carolean era - Wikipedia

    en.wikipedia.org/wiki/Carolean_era

    Hayden, Judy A. "From Caroline Tears to Carolean Laughter: Re-historicizing the Restoration of Charles II." English 49.194 (2000): 109–126. Miyoshi, Riki. "Thomas Killigrew's Early Managerial Career: Carolean Stage Rivalry in London, 1663–1668." Restoration and 18th Century Theatre Research 27.2 (2012): 13–89. Rothstein, Eric, and Frances ...

  8. Rake (stock character) - Wikipedia

    en.wikipedia.org/wiki/Rake_(stock_character)

    The Restoration rake was a carefree, witty, sexually irresistible aristocrat whose heyday was during the English Restoration period (1660–1688) at the court of King Charles II. They were typified by the " Merry Gang " of courtiers, who included as prominent members John Wilmot , George Villiers , and Charles Sackville , who combined riotous ...

  9. Comedy of manners - Wikipedia

    en.wikipedia.org/wiki/Comedy_of_manners

    The comedy of manners has been employed by Roman satirists since as early as the first century BC. Horace's Satire 1.9 is a prominent example, in which the persona is unable to express his wish for his companion to leave, but instead subtly implies so through wit.