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Shanghai-style papercutting is a variety of papercutting practiced in south China, and in particular in Shanghai.. The making of papercuts is a popular folk art in China. In the hands of an artisan, and with the help of a knife or a pair of scissors, a piece of paper can be turned into any of a wide variety of patterns – landscapes, flowers, birds, animals and human figures.
Chinese paper-cutting originated from the practice of worship of both ancestors and gods, a traditional part of Chinese culture dating back roughly two millennia. According to archaeological records, paper-cutting originates from the 6th century, although some believe that its history could be traced back as far as the Warring States period (around 3 BC), long before paper was invented.
A series of complicated processes is needed to produce blue calico, including selecting cotton material, soaking in water, gluing the template, dyeing, cleaning, and sunning. The pattern to be dyed must be cut into a paper template, which is then covered in tung oil, dried, and glued to the fabric. [2]
Paper-cut with stupa. One of the earliest known papercuts, this specimen was recovered by Paul Pelliot in the Dunhuang grotto and is dated to the tenth century. Bibliothèque nationale de France Chinese paper cuttings (2014) Papercutting or paper cutting is the art of paper designs. Art has evolved all over the world to adapt to different ...
In the United States, the term kirigami was coined by Florence Temko from Japanese kiri, ' cut ', and kami, ' paper ', in the title of her 1962 book, Kirigami, the Creative Art of Paper cutting. The book achieved enough success that the word kirigami was accepted as the Western name for the art of paper cutting.
Origami is the process of making a paper model by folding a single piece of paper without using glue or cutting while the variation kirigami does. Card modeling is making scale models from sheets of cardstock on which the parts were printed, usually in full color. These pieces would be cut out, folded, scored, and glued together.
Through her paper and scissors, she draws out the meaning of life, death, and rebirth. When Aoyama pictures flowers, she imagines its sensations with black and white, an ”Aoyama style photography”. [5] Aoyama thinks of how lovely the flowers once are and realizes that the flowers will all die down someday.
Pressing is a very easy way to preserve flowers although the relief is lost and the flowers are flat. Unglazed paper, such as newsprint or an old telephone book, is best for pressing. Flowers are spread so they do not overlap between several thicknesses of newspaper. Additional layers of paper and flowers can be built up and then covered with a ...
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