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"Rock the Casbah" is a song by the English punk rock band The Clash, released in 1982 as the second single from their fifth album, Combat Rock. It reached number eight on the Billboard Hot 100 chart in the US (their only top 10 single in that country) and, along with the track "Mustapha Dance", it also reached number eight on the dance chart.
"Rock the Casbah" became highly successful in the United States and proved to be the band's anticipated U.S breakthrough. "Should I Stay or Should I Go" was not as successful until being re-released in 1991 and topping the charts in their native United Kingdom. Combat Rock is the last Clash album featuring the band's classic lineup.
Sampling instruments and lyrics from the chorus of the Clash's "Rock the Casbah," as well as bits from "Superslapin'" by Grandmaster Flash and the Furious Five, [1] [unreliable source] the song was co-written by Smith and produced by Trackmasters. The song features vocals from K-Ci. "Will 2K" peaked at number two in the United Kingdom and pays ...
Nicholas Bowen "Topper" Headon (born 30 May 1955) [citation needed] is an English drummer and multi-instrumentalist, best known as the drummer of punk rock band the Clash. Known for his contributions to the drumming world, Headon was inducted in the Rock and Roll Hall of Fame with the rest of the Clash in 2003.
"Should I Stay or Should I Go" is a song by the English punk rock band the Clash from their fifth studio album Combat Rock, written in 1981 and featuring Mick Jones on lead vocals. It was released in 1982 as a double A-sided single alongside "Straight to Hell", performing modestly on global mus
"Clampdown" is a song by the English rock band the Clash from their 1979 album London Calling. The song began as an instrumental track called "Working and Waiting". [1] It is sometimes called "Working for the Clampdown" which is the main lyric of the song, and also the title provided on the album's lyric sheet.
"London Calling" is a song by the British punk rock band the Clash. It was released as a single from the band's 1979 double album of the same name. This apocalyptic, politically charged rant features the band's post-punk sound, electric guitar and vocals. [5] [6] [1]
On their second album Give 'Em Enough Rope (1978), the Clash had started to depart from the punk rock sound. [4] While touring the United States in 1979, they chose supporting acts such as rhythm and blues artists Bo Diddley, Sam & Dave, Lee Dorsey, and Screamin' Jay Hawkins, as well as neotraditional country artist Joe Ely and punk rockabilly band the Cramps.