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The sonnet abounds with metrical variants. Lines 5 and 7 have a final extrametrical syllable or feminine ending. Line 2 exhibits both an initial and a mid-line reversal, two of at least nine such reversals in the poem. / × × / / × × / × / Some in their wealth, some in their bodies' force, (91.2)
Boasting or bragging is speaking with excessive pride and self-satisfaction about one's achievements, possessions, or abilities.. Boasting occurs when someone feels a sense of satisfaction or when someone feels that whatever occurred proves their superiority and is recounting accomplishments so that others will feel admiration or envy.
At such a moment the poet may boast of his love, as others might have in Sonnet 25, but until then he dare not. Until then he vows not to "show my head". Until then he vows not to "show my head". To remain unnoticed or as an act of obeisance he will keep his head down, so that his Lord may not test him or his love ("prove"); "me" is a ...
but whereas for Wither the sun represents God and the marigold's reliance upon it is a virtue, Shakespeare's "sun" is mortal and fickle and reliance upon this sun is a risk. Edmond Malone noted the resemblance of lines 5–8 to this section of Wolsey 's farewell in Henry VIII : [ 7 ]
[7] [8] Agape is more a love by choice than Philos, which is love by chance; and it refers to the will rather than the emotion. It describes the unconditional love God has for the world in the Christian faith. Paul describes love in 1 Corinthians 13:4–8: [9] Love is patient, love is kind. It does not envy, it does not boast, it is not proud.
Virtute enim ipsa non tam multi praediti esse quam videri volunt ("Few are those who wish to be endowed with virtue rather than to seem so"). Just a few years after Cicero, Sallust used the phrase in his Bellum Catilinae (54.6), writing that Cato the Younger esse quam videri bonus malebat ("He preferred to be good rather than to seem so").
Amor fati is a Latin phrase that may be translated as "love of fate" or "love of one's fate".It is used to describe an attitude in which one sees everything that happens in one's life, including suffering and loss, as good or, at the very least, necessary.
Lines 4-7 portray disgraced trust and loyalty, unfairly given authority, as by an unworthy king "gilded honour shamefully misplaced", and female innocence corrupted "Maiden virtue rudely strumpeted". Lines 8, 10, and 12, as in lines 2 and 3, characterize reversals of what one deserves, and what one actually receives in life.