Search results
Results from the WOW.Com Content Network
Tolkien's drawing of ranalinque, the Quenya name for his invented "moon-grass", in a style reminiscent of Art Nouveau.He professed himself fascinated by plant forms. [1]The plants in Middle-earth, the fictional continent in the world devised by J. R. R. Tolkien, are a mixture of real plant species with fictional ones.
Part I: "Tolkien as Lexicographer" describes Tolkien's work as an Assistant Editor on the dictionary. He would sort through the raw materials—slips of paper containing examples of the use of words from documents covering many centuries—and disentangle the development of different shades of meaning over time.
Tolkien stated that he wanted to create a mythology evocative of England, not of Italy. Scholars have noted aspects of his work, such as the plants of Ithilien, which are clearly Mediterranean but not specifically classical. Tolkien's fiction was brought to a new audience by Peter Jackson's film version of The Lord of the Rings.
In other words, Flieger writes, Tolkien "did not keep his knowledge in compartments; his scholarly expertise informs his creative work." [2] This expertise was founded, in her view, on the belief that one knows a text only by "properly understanding [its] words, their literal meaning and their historical development." [2]
This is not how Tolkien used the term "impersonal". An impersonal verb form is a verb to which no pronoun is attached, as care or carir; carin "I do" is a personal form (-n). The impersonal conjugations provided below were written by J.R.R. Tolkien in the late 1960s, [M 12] but only in singular forms.
Among the many influences of philology on his Middle-earth writings, Tolkien's visit to the temple of Nodens at a place called "Dwarf's Hill" and the subsequent philological study of an inscription with a curse upon a ring that he conducted, may have been seminal, inspiring his Dwarves, Mines of Moria, Rings of Power, and Celebrimbor "Silver-Hand", an Elven-smith who contributed to Moria's ...
Mythopoeia, a word used as the title of a poem by mythology scholar and fantasy author J. R. R. Tolkien to mean "myth-making"; it has since become a literature- and film-genre of myth-like fictional narratives, especially in the high fantasy tradition; Mythopoeic Society, devoted to fantastic literature including that of Tolkien and his friends
The Tolkien scholar Tom Shippey states that Tolkien's spelling "warg" is a cross of Old Norse vargr and Old English wearh. He notes that the words embody a shift in meaning from "wolf" to "outlaw": vargr carries both meanings, while wearh means "outcast" or "outlaw", but has lost the sense of "wolf". [ 28 ]