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Self-Portrait at Seventy-Eight, 1858, 62 x 51 cm.. This is an incomplete list of paintings by the French neoclassical painter Jean-Auguste-Dominique Ingres (1780–1867). ). Although he considered himself a classicist in the tradition of Nicolas Poussin and Jacques-Louis David and had a longstanding rivalry with Eugène Delacroix, some of his later works included elements of romanticism and orien
Pages in category "Portraits by Jean-Auguste-Dominique Ingres" The following 23 pages are in this category, out of 23 total. This list may not reflect recent changes .
Jean-Auguste-Dominique Ingres (/ ˈ æ ŋ ɡ r ə / ANG-grə; French: [ʒɑ̃ oɡyst dɔminik ɛ̃ɡʁ]; 29 August 1780 – 14 January 1867) was a French Neoclassical painter.Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style.
Self-Portrait is an oil-on-canvas painting by the French Neoclassical artist Jean-Auguste-Dominique Ingres. The painting measures 25.2 x 20.9 inches (64 x 53 cm) and is part of the permanent collection of the Royal Museum of Fine Arts in Antwerp. This painting is one of the last portraits by Ingres.
Portraits by Jean-Auguste-Dominique Ingres (23 P) Pages in category "Paintings by Jean-Auguste-Dominique Ingres" The following 32 pages are in this category, out of 32 total.
The Portrait of Madame Jacques-Louis Leblanc is an oil painting by the French Neoclassical artist Jean-Auguste-Dominique Ingres, painted in 1823 and displayed at the Metropolitan Museum of Art in New York. [1] [2] [3]
Portrait of Madame Ingres is a late period oil on canvas painting by the French Neoclassical artist Jean-Auguste-Dominique Ingres, completed in 1859. [1] Depicting his second wife Delphine Ramel (he was widowed in 1849), [ 2 ] it is Ingres' final painted portrait, apart from two self-portraits. [ 3 ]
Self-Portrait at Seventy-Eight, 1858, 62 x 51 cm. Self-Portrait at Seventy-Eight is an 1858 oil-on-canvas painting by the French Neoclassical artist Jean-Auguste-Dominique Ingres. It is one of the last of his many portraits, which he had always regarded as bothersome distractions from his true calling, history painting.