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An oeil-de-boeuf (French: [œj.dÉ™.bœf]; English: "bull's eye"), also œil de bœuf and sometimes anglicized as ox-eye window, is a relatively small elliptical window, typically for an upper storey, and sometimes set in a roof slope as a dormer, or above a door to let in natural light. These are relatively small windows, traditionally oval.
A circular window without tracery such as are found in many Italian churches, is referred to as an ocular window or oculus. Rose windows are particularly characteristic of Gothic architecture and may be seen in all the major Gothic cathedrals of Northern France. Their origins are much earlier than Gothic architecture, however, and rose windows ...
Oculus (architecture), a circular opening in the centre of a dome or in a wall; Arts, entertainment, and media. ... Eye, an organ of the visual system;
Wheel windows, ocular windows and windows with simple quatrefoil tracery often occur in apses, as at Worms Cathedral. Wooden roofs were common, with an ancient painted ceiling retained at St Michael's, Hildesheim. Stone vaults were used at a later date than in France, occurring over the aisles at Speyer in about 1060. [32]
A characteristic feature of Romanesque architecture, both ecclesiastic and domestic, is the pairing of two arched windows or arcade openings, separated by a pillar or colonette and often set within a larger arch. Ocular windows are common in Italy, particularly in the façade gable and are also seen in Germany.
Renaissance architecture is the European architecture of the period between the early 15th and ... There was a large ocular window in the end of the nave which had to ...
Each major ocular window contains a single picture drawn from the Life of Christ or the Life of the Virgin Mary, surrounded by a wide floral border, with two smaller facade windows by Ghiberti showing the martyred deacons, St Stephen and St Lawrence. One of the cupola windows has since been lost, and that by Donatello has lost nearly all of its ...
At Mount Vernon, for example, George Washington relied upon plate 51 of Langley's The City and Country Builder's and Workman's Treasury of Designs as the source for the famous Venetian (or Palladian) window in the dining room; upon plate 54 of the same book for the ocular window on Mount Vernon's western facade; and upon plate 75 of Langley's ...