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Henry Beekman Livingston Jr. (October 13, 1748 – February 29, 1828) was an American poet, and has been proposed as being the uncredited author of the 1823 poem A Visit from St. Nicholas, more popularly known (after its first line) as The Night Before Christmas.
A night latch (or night-latch or nightlatch) is a lock that is fitted on the surface of a door; it is operated from the exterior side of the door by a key and from ...
The cover of a series of illustrations for the "Night Before Christmas", published as part of the Public Works Administration project in 1934 by Helmuth F. Thoms "A Visit from St. Nicholas", routinely referred to as "The Night Before Christmas" and "' Twas the Night Before Christmas" from its first line, is a poem first published anonymously under the title "Account of a Visit from St ...
'Twas the Night Before Christmas History. The poem, originally titled A Visit or A Visit From St. Nicholas, was first published anonymously on Dec. 23, 1823, in a Troy, New York newspaper called ...
Of bird, of flower, or shape, which it doth latch: Of his quick object hath the mind no part, Nor his own vision holds what it doth catch; For if it see the rud’st or gentlest sight, The most sweet favour or deformed’st creature, The mountain or the sea, the day or night, The crow or dove, it shapes them to your feature:
At its narrowest, the term "Graveyard School" refers to four poems: Thomas Gray's "Elegy Written in a Country Churchyard", Thomas Parnell's "Night-Piece on Death", Robert Blair's The Grave and Edward Young's Night-Thoughts. At its broadest, it can describe a host of poetry and prose works popular in the early and mid-eighteenth century.
Rondel (or roundel): a poem of 11 to 14 lines consisting of 2 rhymes and the repetition of the first 2 lines in the middle of the poem and at its end. Sonnet: a poem of 14 lines using any of a number of formal rhyme schemes; in English, they typically have 10 syllables per line. Caudate sonnet; Crown of sonnets (aka sonnet redoublé) Curtal sonnet
Read's conception of poetry was influenced by his mentors T. E. Hulme, F. S. Flint, Marianne Moore and W. C. Williams, believing "true poetry was never speech but always a song", quoted with the rest of his definition 'What is a Poem' in his 1926 essay of that name (in his endword to his Collected Poems of 1966).