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Neck-through construction is significantly harder to mass-produce than bolt-on or set-in neck constructions. As such, guitars with this construction method tend to be more expensive than guitars made by other methods. This method of construction may be somewhat more common in basses than in guitars. Repairs to the neck are usually expensive and ...
Neck joint with a four-screw plate on a Yamaha Pacifica 112 electric guitar Less-common three-screw assembly with plate, on a Hagström III guitar Slim bolt-on neck join with chamfered heel and countersunk ferrules on a superstrat electric guitar allows for more comfortable access to top frets Stephen's Extended Cutaway (on Washburn N4 electric guitar) is another version of bolt-on neck joint
Carl Thompson (born February 5 1939) is a luthier and musician specializing in the construction of high-quality custom bass guitars. He is based in Brooklyn, New York. Born in Pitcairn, Pennsylvania, to a large musical family, Thompson moved to New York City in 1967 to pursue a career as a jazz guitarist. After working in a guitar shop to ...
Mosrite guitars were known for innovative design, high-quality engineering, very thin, low-fretted and narrow necks (though Mosrite used taller frets and wider necks after the 1960s,) and extremely hot (high output) pickups.
(Schecter's maximum output was forty guitars a month -all custom made.) [1] To realize his vision, Ciravolo began searching for a factory that could mass-produce Schecter guitars while maintaining high quality standards while maintaining production in the USA Custom shop. As a result of the low production and focus on quality, the USA custom ...
However, it was not the neck construction that was inferior (as described below, many Matsumoku-built necks were of premium quality). Rather, it was the lack of reinforcement in the neck pocket area, which could enable that area to act like a hinge, causing future problems with high action due to tension on the body's neck pocket from the strings.
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The rigidity of the neck with respect to the body of the guitar is one determinant of an instrument's quality. Conversely, the ability to change the pitch of the note slightly by deliberately bending the neck forcibly with the fretting arm is a technique occasionally used, particularly in the blues genre and those derived from it, such as rock ...
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