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Using a handheld gouger to cut a design into linoleum for a linocut print Linocut printing; using a design cut into linoleum to make a print on paper. Since the material being carved has no directional grain and does not tend to split, it is easier to obtain certain artistic effects with lino than with most woods, although the resultant prints lack the often angular grainy character of ...
Janet Ann Doub Erickson (June 29, 1924 – September 3, 2021) was an American graphic artist and writer who popularized linoleum-block and woodblock printing in the post-World War II period. She was a co-founder of the Blockhouse of Boston, an innovative art and design cooperative in Boston, Massachusetts .
The co-op specialized in linoleum blockprints — also known as linocuts — and screen printing. Blockhouse was known for original use of New England themes and motifs intermingled with bold ethnic designs [ 2 ] at times inspired by pre-Columbian art and sometimes with modernist motifs. [ 3 ]
The family moved to Englewood, New Jersey, and Ward entered Englewood High School, where he became art editor of the school newspaper and yearbook, and learned linoleum-block printing. In 1922, he graduated with honors in art, mathematics, and debate. [7] Ward studied fine arts at Columbia Teachers College in New York.
This print was brittle, acidic, discolored, and tearing due to light and pollutants exposure as well as a previous restoration with acidic materials. When it underwent conservation treatment, the print's previous mount was stripped. The print was washed in a calcium solution that reversed some yellow discoloration.
She continued painting landscape, but turned to the colour linoleum print, around 1928. She served as the Art Director at Bishop Strachan School (BSS) from 1901 to 1936. While holding this position, she designed the school's chapel interior, including a large stained-glass window. [10] Throughout her career in education and art, Wrinch was a ...
Relief printing is a family of printing methods where a printing block, plate or matrix, which has had ink applied to its non-recessed surface, is brought into contact with paper. The non-recessed surface will leave ink on the paper, whereas the recessed areas will not.
His printmaking is inspired by Japanese woodblock printing but it is different in technique, because he uses oil-based inks, linoleum block and a printing press. [ 10 ] Killion was featured on the PBS television series Craft in America , episode "Process" airing October 7, 2009, also featuring 92nd Street Y , Kansas City Art Institute , North ...
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