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The pasilalinic-sympathetic compass, also referred to as the snail telegraph, was a device built to test the hypothesis that snails create a permanent telepathic link when they mate. The device was developed by French occultist Jacques-Toussaint Benoît (de l'Hérault), with the supposed assistance of an American colleague, Monsieur Biat ...
Wa-won-dee-a-megw "Snail" - a snail spirit that can live in trees, on land or in the water, as well as change size and appearance to look like a huge snake, alligator or scaly man; has horns which can be ground into a magical powder; Wad-zoo-sen - the eagle that flaps his wings to create wind. Gluskab tries to stop his wind in order to hunt by ...
The pneumatics ("spiritual", from Greek πνεῦμα, "spirit") were, in Gnosticism, the highest order of humans, the other two orders being psychics and hylics ("matter"). A pneumatic saw themselves as escaping the doom of the material world via the transcendent knowledge of Sophia 's Divine Spark from inner revelation coming from the highest ...
The spiritual meaning behind seeing two of them is that you should take a closer look at your relationships. "Two has a highly intuitive meaning, it is the most relationship-focused number ...
Shamanic teacher and spiritual healer Dr. Jonathan Dubois has studied hawk symbolism extensively. "The hawk is a magnificent bird, soaring up on the warm air currents and rising above to gain a ...
Hall says that if we look at the color blue — considered to be one of the main colors associated with healing — and connect it with the overarching meaning of repeatedly seeing a bird, a blue ...
The mythology of the Ohlone (Costanoan) Native American people of Northern California include creation myths as well as other ancient narratives that contain elements of their spiritual and philosophical belief systems, and their conception of the world order.
Seeing Things is the eighth poetry collection by Seamus Heaney, who received the 1995 Nobel Prize in Literature. It was published in 1991. It was published in 1991. Heaney draws inspiration from the visions of afterlife in Virgil and Dante Alighieri in order to come to terms with the death of his father, Patrick, in 1986.