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[15]: 95 To judge by what I now endure, the hand of death grasps me sharply." [11]: 140 [15]: 95 — Salvator Rosa, Italian artist and poet (15 March 1673), when asked how he was "Death is the great key that opens the palace of Eternity." [77] — John Milton, English poet and intellectual (8 November 1674) Death of the Viscount of Turenne.
This famous aphorism used to characterize Heraclitus' thought comes from Simplicius, a Neoplatonist, and from Plato's Cratylus. The word rhei (ρέι, cf. rheology) is the Greek word for "to stream"; according to Plato's Cratylus, it is related to the etymology of Rhea. πάντοτε ζητεῖν τὴν ἀλήθειαν
death to all: Signifies anger and depression. mors tua, vita mea: your death, my life: From medieval Latin, it indicates that battle for survival, where your defeat is necessary for my victory, survival. mors vincit omnia "death conquers all" or "death always wins" An axiom often found on headstones. morte magis metuenda senectus
Classical Latin pronunciation dictates that the letter "c" is only a hard sound, like "k". Moreover, the letter "v", when consonantal, represents /w/; hence WEE-keh WEHR-sah. [8] victoria amat curam: victory demands dedication: Motto of North Melbourne Football Club: victoria aut mors: Victory or death: Similar to aut vincere aut mori. victoria ...
Roman Krznaric suggests memento mori is an important topic to bring back into our thoughts and belief system; "Philosophers have come up with lots of what I call 'death tasters' – thought experiments for seizing the day." These thought experiments are powerful to get us re-oriented back to death into current awareness and living with spontaneity.
The tone is grief-stricken and tender, with Catullus trying to give the best gift he had to bestow (a poem) on his brother, who was taken prematurely. The last words, "Hail and Farewell" (in Latin, ave atque vale), are among Catullus' most famous; an alternative modern translation might be "I salute you...and goodbye".
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Elegiac meter was considered alternating lines of dactylic hexameter and pentameter. Most classical elegies were actually love poems, not laments. In English literature since the 16th century CE, the elegy has come to mean specifically a poem of lamentation. Additionally, it may be written in any meter the poet chooses. [7]