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Vikṣepa (Sanskrit; Tibetan phonetic: nampar yengwa) is a Buddhist and Hindu term that is translated as "distraction", "mental wandering", etc. In the Mahayana tradition, vikṣepa is defined as the mental motion or wandering towards an object which causes the inability to remain one-pointedly on a virtuous objective.
Anubandha chatushtaya (Sanskrit: अनुबन्ध चतुष्टय) literally means four connections, and therefore, it is four-fold in nature and content viz, – a) adhikāri ('the qualified student') who has developed ekāgrata ('single pointed mind'), chitta shuddhi ('purity of the mind') and vikshepa ('freedom from restlessness and impurity') or adhikāra (aptitude); b) vishaya ...
Citta (Pali and Sanskrit: 𑀘𑀺𑀢𑁆𑀢, pronounced chitta) is one of three overlapping terms used in the Nikaya to refer to the mind, the others being manas and viññāṇa. Each is sometimes used in the generic and non-technical sense of "mind" in general, and the three are sometimes used in sequence to refer to one's mental processes ...
Ganga Ram Viakarni (fl. 18th century), also known as Ganga Das Viakarni, [1] was an 18th-century Udasi mahant who founded the Chitta Akhara (also known as 'Akhara Ganga Ram' after its founder), an akhara located in the Mai Sawan Bazar neighbourhood of Amritsar.
It also refers to the four functions of the mind, namely the manas (the mind or lower mind), buddhi (the intellect or higher mind), chitta (memory, or, consciousness), and ahamkara (ego, or, I-maker). [1] Antaḥkaraṇa has also been called the link between the middle and higher mind, the reincarnating part of the mind. [2]
" The Self is free of all sense-organs, and is above all internal organs. It is supremely tranquil, eternal effulgence, divine absorption, immutable, and fearless. In this verse, the word chinta derived in the sense of that by which things are thought of, means - the intellect.
Muktaayi Swaram (also called Chitta Swaram): Sung completely with notes. In Pada Varnams, corresponding lyrics are present, which will be sung after the notes are sung. Charanam or Eththugada Pallavi: Sung with lyrics; Chitta Swaram or Eththugadda Swaram: Sung with notes. In a Pada varnam, there are lyrics which correspond to the Charanam swaras.
A poem of Periyalvar names the ruling Pandya king as Netumaran, and states that the king extolled the lord of Thirumalirumsolai (that is, Vishnu). The Pandyan kings were generally staunch Shaivites: the only king described as a parama-vaishnava ("Great Vaishnavite") in the Pandyan inscriptions was Jatila Parantaka (r. c. 765-815), who was also known as Netun-jataiyan.