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"The terms riff and fill are sometimes used interchangeably by musicians, but [while] the term riff usually refers to an exact musical phrase repeated throughout a song", a fill is an improvised phrase played during a section where nothing else is happening in the music. [2] While riffs are repeated, fills tend to be varied over the course of a ...
The instrumental "Prelude" lasts approximately a minute and 43 seconds, starting with a rapid-fire hammered piano riff on the middle-C piano key, joined by various instruments, swinging through styles such an Aaron Copland-styled ballad to funk to a Southwestern beat.
The term riff entered musical slang in the 1920s [4] and is used primarily in discussion of forms of rock music, heavy metal or jazz.One explanation holds that "most rock musicians use riff as a near-synonym for musical idea" (Middleton 1990, p. 125), but the etymology of the term is not clearly known.
Biographer Johnny Rogan noted no "Louie Louie" influence, writing that Davies adapted an earlier piano riff to the jazz blues style of Mose Allison, and that he was further influenced by seeing Chuck Berry and Gerry Mulligan in Jazz on a Summer's Day, a 1958 film about the Newport Jazz Festival. Rogan also cited brother Dave Davies' distorted ...
Licks are more often associated with single-note melodic lines than with chord progressions. However, like riffs, licks can be the basis of an entire song. Single-line riffs or licks used as the basis of Western classical music pieces are called ostinatos. Contemporary jazz writers also use riff- or lick-like ostinatos in modal music and Latin ...
"A Thousand Miles" is a piano-driven pop song supported by a string orchestral arrangement. Carlton says that the song was inspired by a crush she had on a Juilliard student (who is now a "very famous actor") whom she met while she was attending the School of American Ballet.
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Anthropology" (also known as "Thriving from a Riff" or "Thriving on a Riff") is a bebop-style jazz composition that is credited to Charlie Parker and Dizzy Gillespie. [1] Parker stated in 1949 that Gillespie had played no part in its writing, and that others had added the trumpeter as co-composer.