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A sample of News Gothic. A sample of Bank Gothic. A sample of Franklin Gothic.. All of Benton's typefaces were cut by American Type Founders.. Roycroft (c. 1898), inspired by lettering in the Saturday Evening Post and often credited to Lewis Buddy, though (according to ATF) designed “partly” by Benton.
Venus Bold on an American metal type specimen sheet. Shown are the recut 'E' and 'F' with vertical rather than diagonal terminals on the horizontal strokes. Venus or Venus-Grotesk is a sans-serif typeface family released by the Bauer Type Foundry of Frankfurt am Main, Germany from 1907 onwards.
Eurostile Extended Bold was used in the logo and inter-title sequence of Nickelodeon's Drake & Josh (alongside the regular variant, specifically on the "DRAKE" and "JOSH" scrolling text in the background), and was used in titles and set backdrops for Channel 4's early 90s comedy series Vic Reeves Big Night Out. Eurostile Std Heavy Condensed was ...
The Bauer Bodoni typeface, with samples of the three of the fonts in the family: Roman (or regular), bold, and italic.. In metal typesetting, a font (American English) or fount (Commonwealth English) is a particular size, weight and style of a typeface, defined as the set of fonts that share an overall design.
It is essentially a moderately bold condensed version of Franklin Gothic, made in three numbered widths - No.1 is the most condensed, 3 the least. One feature that sets it apart from Franklin Gothic is the absence of a bottom serif on the digit 1 , like in Akzidenz-Grotesk .
Both typefaces had 32 styles (Regular, Semi Condensed, Condensed, Compressed, Light, Regular, Medium, Bold) with italics and support Cyrillic. [16] [17] Matt Desmond designed the Aldrich typeface, influenced from the Bank Gothic typeface. [18] Banque Gothique was designed by Steve Jackaman and published by Red Rooster Collection.
Univers (French pronunciation: ⓘ) is a sans-serif typeface family designed by Adrian Frutiger and released by his employer Deberny & Peignot in 1957. [1] Classified as a neo-grotesque sans-serif, one based on the model of nineteenth-century German typefaces such as Akzidenz-Grotesk, it was notable for its availability from the moment of its launch in a comprehensive range of weights and widths.
News Gothic Extra Condensed Title (a headline face) As with Franklin Gothic, the foundry expanded the line sometime later, adding two more variants: News Gothic Bold (1958) designed by John L. “Bud” Renshaw; Intertype had already released a bold News Gothic in a hot metal typesetting version, however, as later did Monotype. [6]