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The accordion's popularity spread rapidly: it has mostly been associated with the common people, and was propagated by Europeans who emigrated around the world. The accordion in both button and piano forms became a favorite of folk musicians [35] and has been integrated into traditional music styles all over the world: see the list of music ...
This is a list of articles describing traditional music styles that incorporate the accordion, alphabetized by assumed region of origin.. Note that immigration has affected many styles: e.g. for the South American styles of traditional music, German and Czech immigrants arrived with accordions (usually button boxes) and the new instruments were incorporated into the local traditional music.
The advent of the accordion is the subject of debate among researchers. Some historians credit Christian Friedrich Ludwig Buschmann as the inventor of the accordion, but most others give the distinction to Cyrill Demian, an Armenian-Romanian from the Transylvanian town of Szamosújvár (ancient Armenopolis) living in Vienna, who patented his accordion in 1829, thus coining the name.
The accordion was spread across the globe by the waves of Europeans who emigrated to various parts of the world in the late 19th century and early 20th century. The mid-19th-century accordion became a favorite of folk musicians for several reasons: "The new instrument's popularity [among the common masses] was a result of its unique qualities.
The development of orihon began in China but later took on an association with Japanese books, as shown by its current name."The development of alternatives to the roll in China is difficult to date, but it appears that at some time during the Tang period long rolls consisting of sheets of paper pasted together began to be folded alternately one way and the other to produce an effect like a ...
As most diatonic accordions are centered on certain keys, the Schwyzerörgeli is usually tuned in 'flat' keys to fit with the clarinet, with the outer row giving a B ♭ scale, the next row E ♭, and the next giving a mixture of notes allowing music to be played in A ♭, D ♭ and G ♭ when fingered across the rows.
When I started, there was absolutely no accordion culture. Unless, you define accordion culture as 'oom-pah-pah,' or the Cuckoo Waltz—that sort of thing. The free-bass accordion didn't exist—it was entirely unknown when I was a child. At that time the accordion world was living in splendid isolation.
Since the end of World War II, there has been a surge in the number of Cajun accordion makers in Louisiana, as well as several in Texas. [6] While early-postwar accordion builders had to rely on parts salvaged from older accordions and Hohners, since about 1980 builders tend to use fine imported bellows, reeds, and woods. [2]