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Saturn Devouring His Son is a painting by Spanish artist Francisco Goya. The work is one of the 14 so-called Black Paintings that Goya painted directly on the walls of his house some time between 1820 and 1823. [1] It was transferred to canvas after Goya's death and is now in the Museo del Prado in Madrid.
Saturn (1636) by Rubens. Saturn or Saturn Devouring His Son is a 1636 painting by the Flemish artist Peter Paul Rubens, now in the Museo del Prado, in Madrid. [1]It was commissioned for the Torre de la Parada by Philip IV of Spain and shows the influence of Michelangelo on Rubens, which he had picked up on his journey to Italy.
Saturn Devouring His Son is a name given to one of around 14 works by Francisco Goya which comprise his so called "Black Paintings" series. Each was created when Goya was in his latter years and seemingly preoccupied both by fears for his own mental stability and a general loss of faith in the direction of contemporary Spanish society. Reason
Saturn Devouring His Son in the Quinta de Goya, in 1874. [2] Photograph by Jean Laurent. This painting was surrounded by a paper framework. Quinta del Sordo (English: Villa of the Deaf One), or Quinta de Goya, was an extensive estate and country house situated on a hill in the old municipality of Carabanchel on the outskirts of Madrid.
He went to exile in France in 1824, and ownership of the house passed to his grandson Mariano. [17] An 1830 inventory by Brugada indicates that the work took a full wall between two windows on the first floor, opposite A Pilgrimage to San Isidro. [18] On the wall to the right were Saturn Devouring His Son and Judith and Holofernes.
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A Saturn return marks when the planet Saturn returns to the sign, and degree, it was in when you were born. This cycle takes anywhere between 27 and 30 years, and lasts for about three years.
Henry IV at the Battle of Ivry by Peter Paul Rubens (). There has been debate about the extent to which Goya was influenced by Rubens. Goya's Saturn Devouring His Son, c. 1819–1823 suggests a familiarity with Rubens' 1636 version in the Prado.