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The discourse on the establishment of the Indonesian Ministry of Culture was put forward since 1945, a number of cultural figures, artists, and community leaders held a cultural conference in December in Sukabumi, West Java. [2] The nomenclature Culture was first used in the Syahrir III Cabinet as part of the Ministry of Education and Culture ...
Cultural properties of Indonesia are those items defined by Indonesian law as of "important value for history, science, and culture", and include both man-made artefacts and natural objects. [1] The cultural properties number more than 8,000 and include ancient Hindu and Buddhist temples , mosques , historic colonial buildings , forts , art ...
Directorate-General of Culture, Ministry of Education & Culture of the Republic of Indonesia (1973). Cultural Policy in Indonesia (PDF). Paris: UNESCO; Jones, Tod (2013). Culture, Power, and Authoritarianism in the Indonesian State: Cultural Policy across the Twentieth Century to the Reform Era. Southeast Asia Mediated. BRILL.
The culture of Indonesia (Indonesian: Budaya Indonesia) has been shaped by the interplay of indigenous customs and diverse foreign influences.With over 600 distinct ethnic groups, including significant Austronesian and Melanesian cultures, contributing to its rich traditions, languages, and customs, Indonesia is a melting pot of diversity.
Jamu wellness culture 2023 01972: Jamu is a traditional medicine. It is predominantly a herbal medicine made from natural materials, such as roots, bark, flowers, seeds, leaves and fruits. Cultural practices and expressions linked to Balafon and Kolintang in Mali, Burkina Faso, Côte d'Ivoire and Indonesia + [b] 2024 02131
The Coordinating Ministry for Human Development and Cultural Affairs is an Indonesian government coordinating ministry. The ministry is responsible to coordinate, synchronize and control governance in human development and culture.
Afrikaans; Anarâškielâ; العربية; Aragonés; অসমীয়া; Asturianu; Azərbaycanca; تۆرکجه; Basa Bali; বাংলা; 閩南語 / Bân-lâm-gú
Cultural policy is not typically justified solely on the grounds that it is a good-in-itself, but rather that it yields other good results. The future of cultural policy would seem to predict an increasingly inexorable demand that the arts "carry their own weight" rather than rely on a public subsidy to pursue "art for art's sake". [17]