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A self-portrait of a colorless, but youthful, rounded oval face, in full-frontal view, emerges from a reddish-brown, textured, but indistinct background; the eyes of the face are open but the body belonging to the face is abstract, blurred by pencil strokes and the color of sepia ink; [1] the clothing worn by the subject is indistinguishable as it dissolves into the background with each pencil ...
Self-portrait in a Velvet Dress is described as: "Kahlo appears half length, wearing an elegant velvet dress, against a background of stylized waves. She presents herself as a comely young woman of the time, her hair neatly parted in the centre and combed into a chignon that highlights her oval face and symmetrical features.
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Nevertheless, taking into account the fact that the female self-portrait appeared more than a century after the male self-portrait, and that for a long time there were fewer female artists, it would seem quite reasonable to place the proportion at a maximum of 15-20%.
The self-portrait was probably painted by van Dyck during the winter of 1620–1621, which the artist spent in London. Van Dyck chose to portray himself as a country gentlemen dressed in fine clothes; he likely acquired these clothes due to his father being a wealthy clothier .
Magritte painted it as a self-portrait. [2] The painting consists of a man in an overcoat and a bowler hat standing in front of a low wall, beyond which are the sea and a cloudy sky. The man's face is largely obscured by a hovering green apple. However, the man's eyes can be seen peeking over the edge of the apple.
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Self-Portrait is an oil on canvas self portrait by Angelica Kauffman, from 1784. It is held in the Neue Pinakothek, in Munich, having been acquired by Louis I of Bavaria for his collection in 1826. [1] Kauffman is depicted wearing a turban and looking directly at the viewer, holding a pen and her drawing briefcase.
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