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Gangster film [27] The Little Giant: Roy Del Ruth: Edward G. Robinson, Mary Astor, Helen Vinson: United States [28] The Mayor of Hell: Archie Mayo: James Cagney, Madge Evans, Allen Jenkins: United States [29] The Midnight Club: George Somnes, Alexander Hall: Clive Brook, George Raft, Helen Vinson: United States [30] Murders in the Zoo: Edward ...
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Gangster films by decade (5 C) B. Biographical films about gangsters (2 C, 47 P) M. Mafia films (10 C, 56 P) T. Triad films (3 C, 230 P) Pages in category "Gangster ...
James Cagney in Angels with Dirty Faces, 1938. A gangster film or gangster movie is a film belonging to a genre that focuses on gangs and organized crime.It is a subgenre of crime film, that may involve large criminal organizations, or small gangs formed to perform a certain illegal act.
Crime drama, Gangster film 1928: The Big City: Tod Browning: Lon Chaney, Marceline Day, Betty Compson: United States: The Dragnet: Josef von Sternberg, Helen Lewis: George Bancroft, Evelyn Brent, William Powell: United States: Crime drama Ladies of the Mob: William Wellman: Clara Bow, Richard Arlen, Helen Lynch, Carl Gerard: United States ...
Two main types of crime films were released during the period: the gangster picture and the prison film. A triumvirate of gangster pictures were released in the early 1930s—Little Caesar (1931), The Public Enemy (1931), and Scarface (1932)—which were built on the template created by the first gangster movie, 1927's Underworld. All featured ...
Detective Movie The Hot Rock: Peter Yates: Robert Redford, George Segal, Ron Leibman: United States [53] Prime Cut: Michael Ritchie: Lee Marvin, Gene Hackman, Angel Tompkins: United States [54] Rika the Mixed-Blood Girl: Kō Nakahira: Rika Aoki, Yasuo Arakawa, Satoshi Moritsuka: Japan: Crime thriller [55] Street Mobster: Kinji Fukasaku: Noboru ...
In the novel, Singapore exists as a Gothic city haunted by the ghosts of war and colonialism. [16] The film Suzhou River (2000) also uses Gothic elements to depict the city of Shanghai. [17] Urban gothic elements from the Victorian era carry over to twenty-first century dystopian novels, such as The City and the City by China Miéville. [18]
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