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The painting is void of people, and emphasizes the seascape with the contrasts of the sea and sky, bisected in the middle, horizontally. [2] The yellow sky is blocked by a central cloud in the painting. The colors of the sky shift from the realistic towards the abstract with bold colors, to emphasize a spiritual essence. [2]
Dutch seascapes became popular in the early 17th century and were largely considered a response to the manner in which painting style had been changing. Vertical surfaces, cartographic perspective and religious themes became less common, and imaginary depth, lower horizons and a more realistic depiction of nature became more prevalent. [9]
The painting depicts a turbulent seascape in the Roaring Forties, the part of the Southern Hemispheric Ocean between the latitudes of 40 and 50 degrees famed for its dangerous storms. Along with Wild Weather, the work is one of two seascape paintings by Waugh on display at the Metropolitan Museum of Art. [1] [2]
The painting is an Impressionist take on the grey-tinged seascapes of Hague School paintings such as Hendrik Mesdag's 1881 Panorama of Scheveningen. The composition is broken into three horizontal zones: a threatening grey sky with dark roiling clouds, the greenish-grey sea with lines of white-capped waves crashing onto the shore, and the beach ...
Marine art or maritime art is a form of figurative art (that is, painting, drawing, printmaking and sculpture) that portrays or draws its main inspiration from the sea. Maritime painting is a genre that depicts ships and the sea—a genre particularly strong from the 17th to 19th centuries. [ 1 ]
Wanderer above the Sea of Fog [a] is a painting by German Romanticist artist Caspar David Friedrich made in 1818. [2] It depicts a man standing upon a rocky precipice with his back to the viewer; he is gazing out on a landscape covered in a thick sea of fog through which other ridges, trees, and mountains pierce, which stretches out into the distance indefinitely.
The Lagoon of St. Mark is an early example of his seascapes that clearly demonstrates the process of color division and the law of simultaneous contrast. Hanging in the Impressionist gallery, in the Chrysler Museum of Art, Signac's 1905 painting is surrounded by the likes of Claude Monet, Edgar Degas, and Pierre Renoir.
Considered the patriarch of modern seascape art, his paintings hang in many major collections throughout the globe, including Canada, England, South America, South Africa, Japan, Mexico and Russia, as well as hundreds of American homes. Eugene Garin is an artist who appeals to both the novice collector and the connoisseur.
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