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Raise the song of harvest home! All is safely gathered in, Ere the winter storms begin; God, our Maker, doth provide For our wants to be supplied; Come to God's own temple, come; Raise the song of harvest home! 2. We ourselves are God's own field, Fruit unto his praise to yield; Wheat and tares together sown Unto joy or sorrow grown;
"Every Christian Lion Hearted Man Will Show You" is a song written by Barry, Robin & Maurice Gibb released by the Bee Gees in 1967 on their album Bee Gees' 1st. It was released as the B-side to "Holiday" in the US, Australia and Canada. The song was revived in concert by Barry Gibb on his 2013–14 Mythology tour.
Nicholas Edward Cave (born 22 September 1957 [2]) is an Australian musician, writer and actor who fronts the rock band Nick Cave and the Bad Seeds.Known for his baritone voice, Cave's music is characterised by emotional intensity, a wide variety of influences and lyrical obsessions with death, religion, love, and violence.
"The Mercy Seat" is a song written by Nick Cave (lyrics and music) and Mick Harvey (music), originally performed by Nick Cave and the Bad Seeds on the 1988 album Tender Prey. The song has been covered by others, including Johnny Cash, Camille O'Sullivan and Unter Null. Rolling Stone editor Toby Creswell lists it as one of the 1001 greatest ...
"Lord Have Mercy on the Working Man" is a song written by Kostas and recorded by American country music singer Travis Tritt. It was released in August 1992 as the first of five singles from his third studio album, T-R-O-U-B-L-E .
Monument in Bunhill Fields burial ground Inscription on monument Inscription on monument. Joseph Hart (1711/12 – 24 May 1768) was a Calvinist minister in London. His works include Hart's Hymns, a much-loved hymn book amongst evangelical Christians throughout its lifetime of over 200 years, which includes the well-known hymn, "Come ye sinners, poor and needy".
"Death Don't Have No Mercy" is composed with words and music by Davis. It features techniques of arrangement and performance from his gospel songs, alongside his style of blues guitar. [20] Davis' guitar accompaniment for the song is a relatively simple chord progression, performed in the key of G-flat major.
It established Covay's recording career and influenced later vocal and guitar styles. The songwriting is usually credited to Covay and Ron Alonzo Miller, although other co-writers' names have also appeared on various releases. In late 1964, the song became a hit, reaching number one on the Cash Box R&B chart and number 35 on the Billboard Hot 100.