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Butterfly is the seventh UK studio album by British band the Hollies, released in November 1967. It was the final Hollies album to feature Graham Nash before his departure from the group in 1968. The album consisted solely of songs written by the trio of Nash, Allan Clarke, and Tony Hicks, with Nash leading the sessions. [8]
"King Midas in Reverse" is a song by English pop group the Hollies, written by Graham Nash but credited to Allan Clarke, Nash and Tony Hicks. It was released as a single in September 1967 in anticipation of the band's album Butterfly .
Dear Eloise / King Midas in Reverse is the seventh U.S. studio album by the British pop band the Hollies, released in November 1967."King Midas in Reverse" and "Leave Me" (saved from the UK Evolution track line-up) were slotted onto the album while deleting "Pegasus", "Try It" and "Elevated Observations" from the UK Butterfly track listing.
A total of 15 albums by the Hollies have charted on the UK ... Butterfly: Released: November 1967 ... US Release: Dear Eloise / King Midas in Reverse ...
Albums originally released in the year 1967. ... (Glen Campbell album) Butterfly (Hollies album) ... Dear Eloise / King Midas in Reverse; Dedicato a mio padre;
Hollies is the 14th UK studio album by the English pop rock group the Hollies, released in 1974, marking the return of Allan Clarke after he had left for a solo career. It features the band's cover of Albert Hammond's ballad "The Air That I Breathe," a major worldwide hit that year. The album has the same title as the band's third album from 1965.
Evolution is the first of two albums released in 1967 by British pop rock band the Hollies. It is their sixth UK album and peaked at number 13 on the UK Albums Chart. [6] In 1978, Parlophone reissued the stereo version of Evolution, along with Butterfly and Confessions of the Mind.
"Yes I Will", also known as "I'll Be True to You", is a song written by Gerry Goffin and Russ Titelman. The song was first recorded in 1964 by British Beat group the Hollies who released it as a single in January 1965 where it peaked at number 9 in the United Kingdom that April. [2]