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Kaagaz Ke Phool (transl. Paper Flowers) [a] is a 1959 Indian Hindi-language romantic drama film produced and directed by Guru Dutt, who also played the lead role in the film along with Waheeda Rehman. It is the first Indian film in CinemaScope and the last film officially directed by Dutt. [1]
CinemaScope logo from The High and the Mighty (1954). CinemaScope is an anamorphic lens series used, from 1953 [1] to 1967, and less often later, for shooting widescreen films that, crucially, could be screened in theatres using existing equipment, albeit with a lens adapter.
There have been a great number of anamorphic format trade names, for reasons of prestige, technology, or vanity. The basic 35 mm anamorphic format originally popularized as CinemaScope has been known by a number of other monikers. In some cases, these names actually refer to different lens designs and technologies implemented; however, the ...
The anamorphic widescreen format in use today is commonly called 'Scope' (a contraction of the early term CinemaScope), or 2.35:1 (the latter being a misnomer born of old habit; see "Aspect ratio" section below). Filmed in Panavision is a phrase contractually required for films shot using Panavision's anamorphic lenses. All of these phrases ...
This little lens brings big screen cinemascope perspective to mobile phones via a phone case for either the iPhone, Google Pixel, or Galaxy. This is great news for filmmakers on a budget chasing ...
This list of motion picture film formats catalogues formats developed for shooting or viewing motion pictures, ranging from the Chronophotographe format from 1888, to mid-20th century formats such as the 1953 CinemaScope format, to more recent formats such as the 1992 IMAX HD format.
Films released in CinemaScope, an anamorphic lens series used, from 1953-present, and less often later, for shooting widescreen films that, crucially, could be screened in theatres using existing equipment, albeit with a lens adapter.
The first commonly used anamorphic format was CinemaScope, which used a 2.35 aspect ratio, although it was originally 2.55. CinemaScope was used from 1953 to 1967, but due to technical flaws in the design and its ownership by Fox, several third-party companies, led by Panavision 's technical improvements in the 1950s, dominated the anamorphic ...