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A Māori performer giving a Haka at a folk festival in Poland NZDF soldiers performing a battle cry All Blacks performing a Haka, 1:39 min. A battle cry or war cry is a yell or chant taken up in battle, usually by members of the same combatant group. Battle cries are not necessarily articulate (e.g. "Eulaliaaaa!", "Alala"..), although they ...
Tacitus links this battle cry to a religious connection with Hercules. Following the Roman interpretation, "Hercules" can be associated with Donar/Thor. Depending on the strength of the Barritus, it either startles and frightens the opponent while igniting one's own courage or reveals weakness and a lack of self-assurance. [9] The troops made ...
Kalingattuparani (Tamil: கலிங்கத்துப்பரணி) is a 12th-century Tamil poem and a war song by Jayamkondar, celebrating the victory of ...
Alala / ˈ æ l ə l ə / (Ancient Greek: Ἀλαλά (alalá); "battle-cry" or "war-cry") was the personification of the war cry in Greek mythology.Her name derives from the onomatopoeic Greek word ἀλαλή (alalḗ), [1] hence the verb ἀλαλάζω (alalázō), "to raise the war-cry".
Faugh a ballagh (/ ˌ f ɔː x ə ˈ b æ l ə x / FAWKH ə BAL-əkh; also written Faugh an beallach) is a battle cry of Irish origin, meaning "clear the way". The spelling is an 18th-century anglicization of the Irish language phrase Fág an bealach [ˈfˠaːɡ ə ˈbʲalˠəx], also written Fág a' bealach.
La Carmagnole has also been documented as a battle cry. At the battle of Jemappes on 6 November 1792 it is written that, "the sans-culottes in the army rushed the enemy singing "La Marseillaise" and "La Carmagnole." It was a great republican victory, and all of Belgium fell to the revolutionary armies." [6]
Battle of Gagliano (1300) Crònica de Ramon Muntaner (Codex 1342) Awake iron! (Catalan: Desperta Ferro!, IPA: [dəsˈpɛɾtə ˈfɛru]; Medieval Aragonese: Desperta Ferres!) was a battle cry of the Middle Ages employed by the Almogavars. It was shouted on entering the fight, to frighten the enemy and invoke the presence of iron in the battle. [1]
The origin of the cry is uncertain. One theory is that the rebel yell was born of a multi-ethnic mix. In his book The Rebel Yell: A Cultural History, Craig A. Warren puts forward various hypotheses on the origins of the rebel yell: Native American, Celt, Black or sub-Saharan, Semitic, Arab or Moorish, or an inter-ethnic mix.