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Tracery was used on both the interior and exterior of buildings. It frequently covered the façades, and the interior walls of the nave and choir were covered with blind arcades. It also often picked up and repeated the designs in the stained glass windows. Strasbourg Cathedral has a west front lavishly ornamented with bar tracery matching the ...
The use of rib vaults, and buttresses outside supporting the walls, allowed the elimination of the traditional walls between the chapels, and the installation of large stained glass windows. This gave the ambulatory a striking openness, light, and greater height. [11] [6] The builders then constructed the nave of the church, also using rib vaults.
The most striking features are the walls, which appear to be almost entirely made of stained glass; a total of 670 square meters (7,200 sq ft) of glass, not counting the rose window at the west end. This was a clever illusion created by the master builder; each vertical support of the windows is composed of seven slender columns, which disguise ...
The general characteristics of French stained glass in this period include whole panels filled with decorative canopy work, almost all in white, with just touches of stain. The canopy designs were intricate patterns of line and form to accompany the intricate details of the Flamboyant interiors.
[25] Following Suger's example, large stained glass windows filling the interior with mystical light became a prominent feature of Gothic architecture. [22] Two different architects, or master masons, were involved in the 12th century rebuilding. [26] Both remain anonymous but their work can be distinguished on stylistic grounds.
A large area of glass can also be added between the sun room and the interior living quarters. Low-cost, high-volume-produced patio door safety glass is an inexpensive way to accomplish this goal. The doors used to enter a room should be opposite the sun room interior glass, so that a user can see outside immediately when entering most rooms.
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