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Tony Smith, Free Ride, 1962, 6'8 × 6'8 × 6'8, Museum of Modern Art (New York City). Minimalism describes movements in various forms of art and design, especially visual art and music, where the work is set out to expose the essence, essentials or identity of a subject through eliminating all non-essential forms, features or concepts.
"21:9" ("twenty-one by nine" or "twenty-one to nine") is a consumer electronics (CE) marketing term to describe the ultrawide aspect ratio of 64:27 (2. 370:1 or 21. 3:9), designed to show films recorded in CinemaScope and equivalent modern anamorphic formats.
Minimalist photography is a form of photography that is distinguished by austere simplicity. [1] It emphasizes sparseness and careful composition, shying away from overabundance of color, patterns, or information.
Abbas Kiarostami, [2] Elia Suleiman, [3] and Kelly Reichardt are also considered minimalist filmmakers. The Minimalists – Joshua Fields Millburn, Ryan Nicodemus, and Matt D'Avella – directed and produced the film Minimalism: A Documentary , [ 4 ] which showcased the idea of minimal living in the modern world.
Neo-minimalism is an amorphous art movement of the late 20th and early 21st centuries. It has alternatively been called Neo-Geometric or "Neo-Geo" art. Other terms include: Neo-Conceptualism, Neo-Futurism, Neo-Op, Neo-pop, New Abstraction, Poptometry, Post-Abstractionism, and Smart Art.
As a result, even the most elaborate, feature-rich programs of yesteryear seem minimalist in comparison with current software. One example of a program whose system requirements once gave it a heavyweight reputation is the GNU Emacs text editor, which gained the backronym "Eight Megabytes And Constantly Swapping" in an era when 8 megabytes was ...
Jakob van Domselaer, whose early-20th century experiments in translating the theories of Piet Mondrian's De Stijl movement into music represent an early precedent to minimalist music. Alexander Mosolov , whose orchestral composition Iron Foundry (1923) is made up of mechanical and repetitive patterns.
Film journalist Hiroo Ōtaka noted the industry's astonishment at the rapid box office success for the film's unconventional "minimalist promotion" strategy. The achievement has evoked mixed feelings among industry insiders, with distribution representatives expressing concerns to Ōtaka, fearing the challenge of this no-promotion strategy on ...