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Entry of Christ into Jerusalem is a 1617 oil painting by Flemish artist Anthony van Dyck, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana. It depicts Jesus entering Jerusalem as described in the Gospels , the event celebrated on Palm Sunday .
The painting depicts the young Jesus assisting Joseph in his workshop. Joseph is making a door, which is laid upon his carpentry work-table. Jesus has cut his hand on an exposed nail, symbolizing the stigmata and foreshadowing Jesus's crucifixion. Some of the blood has fallen onto his foot.
Gradually images of Jesus became acceptable to most Protestants in various contexts, especially in narrative contexts, as book illustrations and prints, and later in larger paintings. Protestant art continued the now-standard depiction of the physical appearance of Jesus.
Jesus himself is portrayed in a realistic fashion, with his body slumped and twisted rather unsettlingly as he is carried down the cross displaying the lifeless quality of his form. Jesus' physical body shape is very rounded, almost Rubenesque , raising the question of whether Rembrandt was influenced by Rubens' notably voluptuous figures. [ 2 ]
Christ on the Cross is a 1631 oil-on-canvas painting by Rembrandt, now in the Église Saint-Vincent in the French town of Le Mas-d'Agenais, Lot-et-Garonne. The inventory of Catharina Elisabeth Bode was made in Delft on 27 October 1703—she was the widow of Valerius Röver. It mentions "a piece of painterly invention [titled] Christ on the ...
Saint Francis Embracing Christ on the Cross or Allegory of Saint Francis' Renunciation of the Material World to Follow Jesus is an oil on canvas painting by Bartolomé Esteban Murillo, created in 1668-1669, now held in the Museum of Fine Arts of Seville.
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