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In music, call and response is a compositional technique, often a succession of two distinct phrases that works like a conversation in music. One musician offers a phrase, and a second player answers with a direct commentary or response. The phrases can be vocal, instrumental, or both. [1]
An answer song or record is a song (usually an audio recording) made in answer to a previous song by another artist. For songs that follow up songs by the same artist, see Category:Sequel songs . Subcategories
Every song belongs to a unique genre and fosters the enigma of Kagti's suspense drama. And that's what makes Sampath's efforts truly appreciable." [8] A reviewer based at Indo-Asian News Service quoted, "the soundtrack is not out-of-the-box, but the overdose of electronic music doesn't bother either. Thus, it's an album which may not top the ...
"G.I.R.L.F.R.E.N. (You Know I've Got A)", an answer song to Avril Lavigne's hit "Girlfriend", is one example. "California Gurls" (2010) by Katy Perry featuring Snoop Dogg was a response to "Empire State of Mind" (2009) by Jay-Z featuring Alicia Keys. It was the first time both the original song and the answer song reached No. 1 on the Billboard ...
The Rio was defined as a portable digital audio device which "allows a user to download MP3 audio files from a computer and to listen to them elsewhere." The lower court denied the RIAA's request for injunctive relief, holding that the RIAA had failed to demonstrate a likelihood of success on the merits, and the RIAA appealed.
Robotic voices in music may also be produced by speech synthesis. This does not usually create a "singing" effect (although it can). Speech synthesis means that, unlike in vocoding, no human speech is employed as basis. One example of such use is the song Das Boot by U96. A more tongue-in-cheek musical use of speech synthesis is MC Hawking.
"Call and Answer" is a song by Canadian musical group Barenaked Ladies. It was the third single from their 1998 album Stunt . For its release, the song was both remixed and edited into a radio mix that cut from the second verse to the third chorus, skipping a chorus, an instrumental break and the third verse.
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