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The Palais Garnier has been called "probably the most famous opera house in the world, a symbol of Paris like Notre Dame Cathedral, the Louvre, or the Sacré Coeur Basilica". [8] This is at least partly due to its use as the setting for Gaston Leroux 's 1910 novel The Phantom of the Opera and, especially, the novel's subsequent adaptations in ...
The Library-Museum is housed in the Palais Garnier in the Rotonde de l'Empereur, a pavilion on the west side of the theatre, which was originally designed to be the private entrance for Emperor Napoleon III. Thus, the Emperor's could directly enter in the building and avoid any assassination attempt.
Charles Garnier was born Jean-Louis Charles Garnier on 6 November 1825 in Paris, on the Rue Mouffetard, in the present-day 5th arrondissement.His father, Jean André Garnier, 1796–1865, who was originally from Sarthe, a department of the French region of Pays de la Loire, had worked as a blacksmith, wheelwright, and coachbuilder before settling down in Paris to work in a horse-drawn carriage ...
The Palais Garnier, a Second Empire architectural mix of Neo-Renaissance and Neo-Baroque styles. Second Empire architecture is an architectural style rooted in the 16th-century Renaissance, which grew to its greatest popularity in Europe in the second half of the nineteenth century and early years of the twentieth century.
The bulk of the novel is a first-person narrative, in which Holmes recounts a visit to Paris, where he played violin for the Palais Garnier and became entangled with a mysterious "Phantom". Although Dr. Watson appears only in the novel's 1912 bookend scenes, a significant sub-plot concerns Holmes' efforts to (temporarily) replace the former ...
Roman meander on a fresco in the Villa of the Mysteries ... Neoclassical meander border of a floor of the Moon Salon in the Palais Garnier, by Charles Garnier, 1860 ...
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Palais Garnier, Paris Ariane is an opera in five acts by Jules Massenet to a French libretto by Catulle Mendès after Greek mythology (the tale of Ariadne ). It was first performed at the Palais Garnier in Paris on 31 October 1906, with Lucienne Bréval in the title role.
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