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Purgatorio (Italian: [purɡaˈtɔːrjo]; Italian for "Purgatory") is the second part of Dante's Divine Comedy, following the Inferno and preceding the Paradiso. The poem was written in the early 14th century.
The change happened at about the same time as the composition of the book Tractatus de Purgatorio Sancti Patricii, an account by an English Cistercian of a penitent knight's visit to the land of Purgatory reached through a cave in the island known as Station Island or St Patrick's Purgatory in the lake of Lough Derg, County Donegal, Ireland. Le ...
The legend of St Patrick's Purgatory (Tractatus de Purgatorio Sancti Patricii) written in that century by Hugh of Saltry, also known as Henry of Sawtry, was "part of a huge, repetitive contemporary genre of literature of which the most familiar today is Dante's"; [45] another is the Visio Tnugdali.
Dante, poised between the mountain of purgatory and the city of Florence, a detail of a painting by Domenico di Michelino, Florence 1465.. The Divine Comedy by Dante Alighieri is a long allegorical poem in three parts (or canticas): the Inferno (), Purgatorio (), and Paradiso (), and 100 cantos, with the Inferno having 34, Purgatorio having 33, and Paradiso having 33 cantos.
—Purgatorio, Canto II, Lines 76-78 [3] Subsequently, Dante identifies Casella by name and asks him to sing. Casella's singing is referred to as characteristically sweet by Dante. Casella begins to sing the first lines of a Amor che ne la mente mi ragiona, a poem written by Dante himself. [4] "'Love that converses with me in my mind,'
Bonconte da Montefeltro appears in the Canto V of Purgatorio, the second canticle of Dante Alighieri's Divine Comedy.Here, he appears in the midst of souls speaking to Dante.
The Museo delle Anime del Purgatorio (Italian for Museum of the Souls of Purgatory) is a museum of Rome (Italy), in 12 Lungotevere Prati, within the vestry of the Chiesa del Sacro Cuore del Suffragio.
Virgil and Dante meet Belacqua, Holkham manuscript at the Bodleian. Belacqua is a minor character in Dante Alighieri's Purgatorio, Canto IV.He is considered the epitome of indolence and laziness, but he is nonetheless saved from the punishment of Hell in Inferno and often viewed as a comic element in the poem for his wit.