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Backup camera view on the navigation screen of a Lexus IS 250 Backup camera on a Volkswagen Golf Mk7 hidden inside the logo. A backup camera (also called a reversing camera or rear-view camera) is a video camera specifically designed to be attached to the rear of a vehicle to aid in reversing and reduce the rear blind spot.
The camcorder shares some components with the HDC-HS300/HDC-TM300/HDC-SD300 consumer series, in particular the 1/4.1-inch 3MOS imaging system, the 12× Leica Dicomar lens and the 2.7-inch touch-sensitive LCD screen. Video is recorded onto a Secure Digital card in 720p, 1080i and 1080p formats with data rate up to 24 Mbit/s.
1961-1965 — NE35A — 0.6 L — a 594 cc iteration of the NE series, 72.0 x 73.0 mm. This engine was used in the Mitsubishi 500 Super DeLuxe and Mitsubishi Colt 600. 1961-1976 — ME21/24 — 0.36 L — This air-cooled two-stroke first served in the Mitsubishi 360 but was used in various Minicas until 1972 and in Minicabs until 1976.
The first centralized IP camera, the AXIS Neteye 200, was released in 1996 by Axis Communications. [3] Although the product was advertised to be accessible from anywhere with an internet connection, [4] the camera was not capable of streaming real-time video, and was limited to returning a single image for each request in the Common Intermediate Format (CIF).
The new video camera tube developed by Lubszynski, Rodda and McGee in 1934 was dubbed "the super-Emitron". This tube is a combination of the image dissector and the Emitron. It has an efficient photocathode that transforms the scene light into an electron image; the latter is then accelerated towards a target specially prepared for the emission ...
Dissatisfied with the limited or imprecise nature of existing wooden view cameras (e.g. the large Kodak 3 and similar, and the popular Graphlex Graphic Graphlok series) and the limitations of technical (e.g. Linhof Technika) and field cameras of the day, he developed a modular camera and received in 1947 a patent for his Sinar camera. [2]
Features of the 2012-issue P series models included Nvidia GeForce graphics processing units, Harman Kardon speakers, optional touchscreen displays and backlit keyboards as standard. Toshiba offered 15.6- or 17.3-inch-diagonal screens for these models at 1080p resolution, with an bevel-free design for the display housings. [ 5 ]
The multiple-camera setup, multiple-camera mode of production, multi-camera or simply multicam is a method of filmmaking, television production and video production. Several cameras—either film or professional video cameras —are employed on the set and simultaneously record or broadcast a scene.