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A table given a distressed finish, with a historical paint colour, edges that have been sanded down to expose the wood, and vintage hardware attached to the drawers. Distressing (or weathered look ) in the decorative arts is the activity of making a piece of furniture or object appear aged and older, giving it a "weathered look".
A bisque porcelain bust. Biscuit [1] [2] [3] [4] (also known as bisque) refers to any pottery that has been fired in a kiln without a ceramic glaze.This can be a ...
A popular use for biscuit porcelain was the manufacture of bisque dolls in the 19th century, where the porcelain was typically tinted or painted in flesh tones. In the doll world, "bisque" is usually the term used, rather than "biscuit". [4] Parian ware is a 19th-century type of biscuit. Lithophanes were normally made with biscuit.
The technique essentially uses powdered glass mixed with coloured pigments, and is the application of vitreous enamel to pottery; enamelled glass is very similar but on glass. Both these latter two are essentially painting techniques, and have been since they began.
The technique originated in the Near East and reached Europe during the late Middle Ages, with a peak in Italian Renaissance maiolica. [5] It was never used in East Asian ceramics. Tin oxide is still valued in glazes as both an opacifier and as a white colorant. [6] Tin oxide has long been used to produce a white, opaque and glossy glaze.
Sprigging or sprigged decoration is a technique for decorating pottery with low relief shapes made separately from the main body and applied to it before firing. Usually thin press moulded shapes are applied to greenware or bisque. The resulting pottery is termed sprigged ware, [1] and the added piece is a "sprig". The technique may also be ...
Underglaze transfers are a technique that involves screenprinting or free handing a pattern onto a transfer paper (often rice paper or newspaper) which is then placed, dampened, and burnished onto the surface of a leather-hard piece of clay (similar to how a lick-and-stick tattoo might be applied). [21]
Over the following centuries, they introduced two ceramic techniques to Europe: glazing with an opaque white tin-glaze, and lustreware, which imitates metallic finishes with iridescent effects. Hispano-Moresque wares use both processes, applying the paint as an overglaze which is then fired again. [ 1 ]