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The scholarly study of traditional Italian music began in about 1850, with a group of early philological ethnographers who studied the impact of music on a pan-Italian national identity. A unified Italian identity only just started to develop after the political integration of the peninsula in 1860.
The Italian folk revival was accelerating by 1966, when the Istituto Ernesto de Martino was founded by Gianni Bosio in Milan to document Italian oral culture and traditional music. With the emergence of the Nuova Compagnia di Canto Popolare in 1970, the notion of a musical group organized to promote the music of a particular region (in this ...
Renaissance Music. New York: W. W. Norton & Company. ISBN 0-393-97169-4. Crocker, Richard L (1966). A History of Musical Style. New York: McGraw-Hill. ISBN 0-486-25029-6. Gallo, Alberto (1995). Music in the Castle: Troubadours, Books and Orators in Italian Courts of the Thirteenth, Fourteenth and Fifteenth Centuries. Chicago: University of ...
The city of Venice in Italy has played an important role in the development of the music of Italy.The Venetian state—i.e. the medieval and Early Modern Maritime Republic of Venice—was often popularly called the "Republic of Music", and an anonymous Frenchman of the 17th century is said to have remarked that "In every home, someone is playing a musical instrument or singing.
Currently, the Archives of Ethnomusicology contain over 11,000 recordings of traditional music, including about 7,000 documents of Italian folk music. Special attention is devoted to the Central and Southern regions — including Sicily and Sardinia — and to liturgical chants of the Mediterranean.
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Music theaters and auditoriums in Torino include the Teatro Regio (rebuilt in 1973), the Lingotto or the Gianni Agnelli auditorium (opened in 1994 on the premises of an ex-Fiat factory), the new RAI auditorium (home of the national symphony), the Circolo degli Artisti, (where Toscanini broke in at age 22 as a cellist), and the premises of the ...
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