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The libretto alternates between biblical verses and free contemporary poetry, which is common in Bach's later cantatas, but rare among his early cantatas. The text of movements 2, 4, and 6 are selected psalm verses, Psalms 25:1–2, 5, 15. The author of the poetry is unknown.
Unlike the chant-like verses, the antiphon is more like a short hymn-verse in a regular metre. The tempo of the antiphon is directly related to that of the verse: the one-beat-in-the-bar verse equals the beat unit, typically crotchet (quarter note) or dotted crotchet, of the antiphon. There should be no break between psalm and antiphon: each ...
Psalm 25 is the 25th psalm of the Book of Psalms, beginning in English in the King James Version: "Unto thee, O LORD, do I lift up my soul.". The Book of Psalms is part of the third section of the Hebrew Bible , and a book of the Christian Old Testament .
Other such duplicated portions of psalms are Psalm 108:2–6 = Psalm 57:8–12; Psalm 108:7–14 = Psalm 60:7–14; Psalm 71:1–3 = Psalm 31:2–4. This loss of the original form of some of the psalms is considered by the Catholic Church's Pontifical Biblical Commission (1 May 1910) to have been due to liturgical practices, neglect by copyists ...
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Psalm 24. 7–8, 10 EECM 21/5 CPDL: O clap your hands [h] SSAATTBB Psalm 47 [i] EECM 21/6 CPDL: O Lord, how do my woes increase [j] SATB Psalm 3:1-2 [k] EECM 11/24 CPDL: O Lord, I lift my heart to thee [l] AATTB Psalm 25:1 [k] EECM 11/34 CPDL: O Lord, in thee is all my Trust SAATB From The Whole Booke of Psalmes [m] EECM 21/7 CPDL: O Lord, in ...
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The Hebrew scriptures were an important source for the New Testament authors. [13] There are 27 direct quotations in the Gospel of Mark, 54 in Matthew, 24 in Luke, and 14 in John, and the influence of the scriptures is vastly increased when allusions and echoes are included, [14] with half of Mark's gospel being made up of allusions to and citations of the scriptures. [15]