Search results
Results from the WOW.Com Content Network
Filipino Struggles Through History, alternatively known as the History of Manila is a series paintings which depicts select events from Philippine history. [6] It composes of 10 canvas panels collectively measuring 2.7 meters (8.9 ft) high and 79.4 meters (260 ft) wide.
Pages in category "Philippine paintings" ... Filipino Struggles Through History; H. Hymen, oh Hyménée! ... Odalisque (painting) P. La Parisienne (Hidalgo painting)
Also known as the Filipino struggles through history, this monumental painting depicting the History of Manila is painted by NA Carlos V. Francisco. Kasaysayan ng Maynila ICP Marker: 1996 [13] Basi Revolt Paintings by Esteban Pichay Villanueva National Museum- Vigan, Ilocos Sur: 1807
Guillermo was born in Manila on January 6, 1938. She received a BA in Education degree (magna cum laude) in 1957 from the College of Holy Ghost.As a scholar of the French government in art history and literature at the University of Aix-Marseille in Aix-en-Provence, she completed the Certificat d’Études Littéraires Générales, the Certificat de Séminaire d’Études Supérieures (“avec ...
He also created albums of illustrations of native costumes. This he did primarily to sell to collectors. Such skills made Domingo one of the most famous and sought-after artists of his time in the Philippines. Domingo is regarded highly in the history of Filipino art and is credited with establishing academic courses in art in the Philippines. [2]
The painting depicts an old woman and a young man digging for camote (sweet potato). [2] Camote Diggers is a 1969 oil on canvas work measuring 88 cm × 149 cm (35 in × 59 in). [ 3 ] A smaller and finished version of Camote Diggers exists – an oil on canvas artwork which measures 27 cm × 38 cm (11 in × 15 in) and is also dated 1969.
Juan Luna de San Pedro y Novicio Ancheta (Spanish: [ˈxwan ˈluna], Tagalog: [hwɐn ˈluna]; October 23, 1857 – December 7, 1899) was a Filipino painter, sculptor and a political activist of the Philippine Revolution during the late 19th century. He became one of the first recognized Philippine artists.
The history names Victorio Edades as “the father of Modern Philippine art". Schooled in the US upon his return he introduced an entirely new way of thinking about art. He argued that art can be more than representation of reality, it can be representation of reality as seen through the mind and emotions of the artist.