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Yggdrasil (from Old Norse Yggdrasill) is an immense and central sacred tree in Norse cosmology. Around it exists all else, including the Nine Worlds. Yggdrasil is attested in the Poetic Edda compiled in the 13th century from earlier traditional sources, and in the Prose Edda compiled in the 13th century by Snorri Sturluson.
An 1847 depiction of the Norse Yggdrasil as described in the Icelandic Prose Edda by Oluf Olufsen Bagge 17th-century depiction of the tree of life in Palace of Shaki Khans, Azerbaijan Confronted animals, here ibexes, flank a tree of life, a very common motif in the art of the ancient Near East and Mediterranean Breastfeeding before an Egyptian "sycamore"
Yggdrasil, the World Ash of Norse mythology. The world tree, with its branches reaching up into the sky, and roots deep into the earth, can be seen to dwell in three worlds—a link between heaven, the earth, and the underworld, uniting above and below. This great tree acts as an axis mundi, supporting or holding up the cosmos.
In Norse mythology, Yggdrasil is the world tree. [10] Yggdrasil is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson. In both sources, Yggdrasil is an immense ash tree that is central and considered very
An illustration from a 17th-century Icelandic manuscript shows a hawk, Veðrfölnir, on top of an eagle on top of a tree, Yggdrasil. In Norse mythology, Veðrfölnir (Old Norse "storm pale", [1] "wind bleached", [2] or "wind-witherer" [3]) is a hawk sitting between the eyes of an unnamed eagle that is perched on top of the world tree Yggdrasil.
In Greek mythology, Ladon coiled around the tree in the garden of the Hesperides protecting the golden apples. Níðhöggr gnaws the roots of Yggdrasil in this illustration from a 17th-century Icelandic manuscript. Similarly Níðhöggr (Nidhogg Nagar), the dragon of Norse mythology, eats from the roots of the Yggdrasil, the World Tree.
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.
Achlys / ˈ æ k l ɪ s / (Ancient Greek: Ἀχλύς "mist"), [1] in the Hesiodic Shield of Heracles, is one of the figures depicted on Heracles' shield, perhaps representing the personification of sorrow. In Homer, achlys is the mist which fogs or blinds mortal eyes (often in death). Her Roman counterpart Caligo was said to have been the ...