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The specific problem is: the article contains some flute makers who aren't notable enough for an encyclopedia article. Please help improve this article if you can. ( December 2014 ) ( Learn how and when to remove this message )
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Gemeinhardt Co. is a manufacturer of flutes and piccolos. [1] These musical instruments are developed by this company for all levels of musicians, beginners to professionals
Dana Sheridan began to manufacture his own flutes in 1972, after graduation from Boston's Berklee School. [4] After receiving a degree in music composition from that school, he worked with prominent flute manufacturers William S. Haynes, Verne Q. Powell and Brannen Brothers, before creating his own flute manufacturing company in 1982. [4]
Boehm's work was inspired by an 1831 concert in London, given by soloist Charles Nicholson, who, with his father in the 1820s, had introduced a flute constructed with larger tone holes than were used in previous designs. This large-holed instrument could produce greater volume of sound than other flutes, and Boehm set out to produce his own ...
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The bass flute is an octave lower than the concert flute, and the contrabass flute is an octave lower than the bass flute. Less commonly seen flutes include the treble flute in G, pitched one octave higher than the alto flute; soprano flute, between the treble and concert; and tenor flute or flûte d'amour in B ♭ , A or A ♭ [ citation ...
Lamberson partnered with Pearl L. West of Iowa, founder of West Music, who was also trying to develop his own flute, although he was not far along in his endeavor. West did, however, provide Lamberson with the raw materials he needed to develop his first flute, serial no. 1. Lamberson's first flute had tuning issues which were quickly resolved.
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