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Charles pioneered the soul music genre during the 1950s by combining elements of blues, jazz, rhythm and blues, and gospel into his music during his time with Atlantic Records. [ 4 ] [ 5 ] [ 6 ] He contributed to the integration of country music , rhythm and blues, and pop music during the 1960s with his crossover success on ABC Records ...
Jazz Number II is a 1973 album by Ray Charles. It is a collection of jazz/soul instrumentals featuring Charles on piano backed by his Big Band. ... (Ray Charles ...
Genius + Soul = Jazz is a 1961 album by American musician Ray Charles, featuring big band arrangements by Quincy Jones and Ralph Burns.Charles is accompanied by two groups drawn from members of The Count Basie Band and from the ranks of top New York session players.
The Great Ray Charles: 1961 "Early in the Mornin'" b/w "A Bit of Soul" (from The Ray Charles Story Volume 4) — — The Genius Sings the Blues "Am I Blue" b/w "It Should've Been Me" (from The Ray Charles Story (Volume One)) — — The Genius of Ray Charles "Hard Times (No One Knows Better Than I)" b/w "I Wonder Who" — — The Genius Sings ...
Ray Charles chronology; Doing His Thing (1969) My Kind of Jazz (1970) Love Country Style (1970) Professional ratings; Review scores; Source Rating; Allmusic: link:
The Genius Sings the Blues is an album by Ray Charles, released in October 1961 on Atlantic Records. [5] The album was his last release for Atlantic, compiling twelve blues songs from various sessions during his tenure for the label. The album showcases Charles's stylistic development with a combination of piano blues, jazz, and southern R&B.
The Genius After Hours is an album by American musician Ray Charles, released in 1961.The songs featured on the album were taken from the same three studio sessions that created his 1957 album The Great Ray Charles, which featured the use of both a trio and a septet; the latter was arranged by Quincy Jones.
The album showcased Charles' breakout from rhythm and blues and onto a broader musical stage. Atlantic Records gave him full support in production and arrangements. As originally presented, the A side of the album featured the Ray Charles band with David "Fathead" Newman supplemented by players from the Count Basie and Duke Ellington bands, and arrangements by Quincy Jones.
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