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Once the bearded, long-haired Jesus became the conventional representation of Jesus, his facial features slowly began to be standardised, although this process took until at least the 6th century in the Eastern Church, and much longer in the West, where clean-shaven Jesuses are common until the 12th century, despite the influence of Byzantine art.
Detail of the painting. The work depicts Jesus carrying the cross above a dark background, primarily with black and red tones, [13] surrounded by numerous heads. This painting focuses solely on the face and hands as a source of emotional expression, bodies being faded into the dark background. [14]
This category is for specific works that include depictions of Jesus in the visual arts. For articles covering ways of depicting scenes or types of depictions of Jesus in general, see the sub-category Category:Iconography of Jesus. For images of Jesus as an infant with his mother, see Category:Madonna and Child in art.
Subjects showing the life of Jesus during his active life as a teacher, before the days of the Passion, were relatively few in medieval art, for a number of reasons. [1] From the Renaissance, and in Protestant art, the number of subjects increased considerably, but cycles in painting became rarer, though they remained common in prints and ...
Sacred Heart of Jesus (Batoni) Saint Anthony with the Christ Child (Murillo) Saint Christopher (after van Eyck) Saint Christopher Carrying the Christ Child; Saint Didacus of Alcalá Presenting Juan de Herrera's Son to Christ; Saint Francis Receiving the Stigmata (Giotto) Saint Francis with the Blood of Christ; Saint Joseph with the Christ Child
Click through to see depictions of Jesus throughout history: The discovery came after researchers evaluated drawings found in various archaeological sites in Israel.
It depicts Jesus and Peter walking on water, heralding Christ's power that viewers would hope to gain through "ritual initiation." [ 10 ] The period of late antiquity (313–476 CE), after the Edict of Milan (313 CE), saw an increase in Paleochristian public art, often focused on apostolic authority, due to Constantine's decriminalisation of ...
Jesus in the Tempel (copy made in Hofmann’s studio: partly done under his supervision, partly by himself), 1882, Riverside Church, New York; Jesus in the Tempel, 1884, Kunsthalle Hamburg; Remember Me, 1885, portfolio with drawings depicting the life of Jesus; Come Unto Me, 1887, portfolio with drawings depicting the life of Jesus