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"Mirrors" was written and produced by Justin Timberlake, Timothy "Timbaland" Mosley and Jerome "J-Roc" Harmon, with additional writing from James Fauntleroy. [2] During an interview with Billboard magazine, Harmon recalled how the song was conceived in 2009, during the recording sessions for Timbaland's third studio album Shock Value II (2009), "He's [Timberlake] like, 'I'm gonna save this one ...
Smile (sometimes stylized as SMiLE) [1] is an unfinished album by the American rock band the Beach Boys that was intended to follow their 1966 album Pet Sounds.It was to be an LP of twelve tracks assembled from modular fragments, the same editing process used for their "Good Vibrations" single.
I'm Right Here is the debut studio extended play by American singer-songwriter, rapper and musician Chris Rene released on October 2, 2012 through Syco and Epic Records. This is Rene's first major label project, and second studio work overall, after he released his 2009 independent studio album, Soul'd Out .
Three teens face charges after a Marta bus driver, identified as Leroy Ramos, was killed, officials say.
Brian Douglas Wilson (born June 20, 1942) is an American musician, singer, songwriter, and record producer who co-founded the Beach Boys.Often called a genius for his novel approaches to pop composition, extraordinary musical aptitude, and mastery of recording techniques, he is widely acknowledged as one of the most innovative and significant songwriters of the 20th century.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. The term comes from classical music and was first applied to jazz by ...
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