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Though a spec script is usually a wholly original work, it can also be an adaptation. In television writing, a spec script is a sample teleplay written to demonstrate the writer's knowledge of a show and ability to imitate its style and conventions. It is submitted to the show's producers in hopes of being hired to write future episodes of the ...
spec script. Also speculative screenplay. A non-commissioned and unsolicited screenplay or film treatment, i.e. one that is written of a screenwriter 's own accord, usually with the intention of having the script optioned and eventually purchased by a producer, production company, or film studio. split edit split screen special effect
A dissolve from The Stranger, directed by Orson Welles, used to indicate a transition in time and place. Cuts and dissolves are used differently. A camera cut changes the perspective from which a scene is portrayed. It is as if the viewer suddenly and instantly moved to a different place, and could see the scene from another angle.
Another early example is Orson Welles's Citizen Kane (1941), which opens with a series of match dissolves that keeps the titular character's lit window in the same part of the frame while the cuts take viewers around his dilapidated Xanadu estate, before a final match dissolve takes viewers from the outside to the inside where Kane is dying. [9]
A dissolve (see above) for example, most commonly reveals a passage of time when used within an ongoing scene. The dissolve, by tradition, serves to include intervening time and action. If however, a dissolve rather than a cut is used in a continuing uninterrupted action, its unconventional placement carries psychological implications.
Linear editing systems cannot dissolve between clips on the same video tape. Hence, one of these clips will need to be dubbed onto a new video tape. EDLs designate these occurrences by marking such dissolves' source reels as B-roll of "b-reels". For example, the EDL will change the 8th character of the reel name to the letter B.
A spatial jump cut at 0:05 seconds from It's a Wonderful Life (1946) in which James Stewart's character answers a telephone.. A jump cut is a cut in film editing that breaks a single continuous sequential shot of a subject into two parts, with a piece of footage removed to create the effect of jumping forward in time.
A scriptment borrows characteristics from both a regular screenplay and a film treatment and is comparable to a step outline: the main text body is similar to an elaborate draft treatment, while usually only major sequences receive scene location headings (), which is different from the extensive slug line formatting in standard screenplays, where every new scene or shot begins with an INT./EXT.