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Ancient Greek funerary practices are attested widely in literature, the archaeological record, and in ancient Greek art. Finds associated with burials are an important source for ancient Greek culture, though Greek funerals are not as well documented as those of the ancient Romans. [1]
Unlike the rest of religious life in Ancient Greece, the rituals, practices and knowledge of mystery cults were only supposed to be available to their initiates, so relatively little is known about the mystery cults of Ancient Greece. [18] Some of the major schools included the Eleusinian mysteries, the Dionysian mysteries and the Orphic mysteries.
A funeral oration or epitaphios logos (Ancient Greek: ἐπιτάφιος λόγος) is a formal speech delivered on the ceremonial occasion of a funeral. Funerary customs comprise the practices used by a culture to remember the dead, from the funeral itself, to various monuments, prayers, and rituals undertaken in their honour. In ancient ...
Ancient Greek funerary vases were made to resemble vessels used for elite male drinking parties, called symposiums. Funerary vases were often painted with symposiums, or Greek tragedies that involved death. There are many types of funerary vases including amphorae, kraters, oinochoe, and kylix cups. Funerary scenes show us how the Greeks ...
Greek tragedies were a popular motif on funeral vases which often contained the death of someone close to the main character within the play. An example of this is the suicide of Ajax vase. Greeks would see these pictures of Greek tragedies on vases, which would remind them of the suffering that heroes of old had to endure.
Newly deciphered text from ancient scrolls may have finally revealed the location of where Greek philosopher Plato was buried, along with how he really felt about music played at his deathbed ...
The inscriptions on some cippi show that they were occasionally used as funeral memorials. [6] Coins for the dead is a form of respect for the dead or bereavement. The practice began in ancient Greece Roman times when people thought the dead needed coins to pay ferryman to cross the river Styx. In modern times the practice has been observed in ...
Schliemann claimed that one of the masks he discovered was the mask of King Agamemnon, and that this was the burial site of the legendary king from Homer's Iliad. [4]The masks were likely direct representations of the deceased, symbolizing a continuation of the dead's identity in death, similar to funerary statues and incisions, immortalizing an idealized depiction of the deceased.